Hence I took a turn in St. Innocent's churchyard, where the story of the devouring quality of the ground (consuming bodies in twenty-four hours), the vast charnels of bones, tombs, pyramids, and sepulchers, took up much of my time, together with the hieroglyphical characters of Nicholas Flamel's philosophical work, who had founded this church, and divers other charitable establishments, as he testifies in his book.
Here divers clerks get their livelihood by inditing letters for poor maids and other ignorant people who come to them for advice, and to write for them into the country, both to their sweethearts, parents, and friends; every large gravestone serving for a table. Joining to this church is a common fountain, with good relievos upon it.
The next day I was carried to see a French gentleman's curious collection, which abounded in fair and rich jewels of all sorts of precious stones, most of them of great sizes and value; agates and onyxes, some of them admirably colored and antique; nor inferior were his landscapes from the best hands, most of which he had caused to be copied in miniature; one of which, rarely painted on stone, was broken by one of our company, by the mischance of setting it up: but such was the temper and civility of the gentleman, that it altered nothing of his free and noble humor.
The next morning, I was had by a friend to the garden of Monsieur Morine, who, from being an ordinary gardener, is become one of the most skillful and curious persons in France for his rare collection of shells, flowers, and insects.
His garden is of an exact oval figure, planted with cypress, cut flat and set as even as a wall: the tulips, anemones, ranunculuses, crocuses, etc., are held to be of the rarest, and draw all the admirers of that kind to his house during the season. He lived in a kind of hermitage at one side of his garden, where his collection of porcelain and coral, whereof one is carved into a large crucifix, is much esteemed. He has also books of prints, by Albert [Durer], Van Leyden, Callot, etc. His collection of all sorts of insects, especially of butterflies, is most curious; these he spreads and so medicates, that no corruption invading them, he keeps them in drawers, so placed as to represent a beautiful piece of tapestry.
He showed me the remarks he had made on their propagation, which he promised to publish. Some of these, as also of his best flowers, he had caused to be painted in miniature by rare hands, and some in oil.
6th April, 1644. I sent my sister my own picture in water colors,[18] which she requested of me, and went to see divers of the fairest palaces of the town, as that of Vendôme, very large and stately; Lougueville; Guise; Condé; Chevereuse; Nevers, esteemed one of the best in Paris toward the river.
I often went to the Palais Cardinal, bequeathed by Richelieu to the King, on condition that it should be called by his name; at this time, the King resided in it, because of the building of the Louvre. It is a very noble house, though somewhat low; the galleries, paintings of the most illustrious persons of both sexes, the Queen's baths, presence-chamber with its rich carved and gilded roof, theater, and large garden, in which is an ample fountain, grove, and mall, worthy of remark. Here I also frequently went to see them ride and exercise the great horse, especially at the Academy of Monsieur du Plessis, and de Veau, whose schools of that art are frequented by the nobility; and here also young gentlemen are taught to fence, dance, play on music, and something in fortification and the mathematics. The design is admirable, some keeping near a hundred brave horses, all managed to the great saddle.
12th April, 1644. I took coach, to see a general muster of all the gens d'armes about the city, in the Bois de Boulogne, before their Majesties and all the Grandees. They were reputed to be near 20,000, besides the spectators, who much exceeded them in number. Here they performed all their motions; and, being drawn up, horse and foot, into several figures, represented a battle.
ORLEANS