"Don Caspar de Teves y Guzman, Marques de la Fuente, Señor Le Lerena y Verazuza, Commendador de Colos, en la Orden de Sant Yago, Alcalde Mayor perpetuo y Escrivano Mayor de la Ciudad de Sevilla, Gentilhombre de la Camara de S. M. su Azimilero Mayor, de su Consejo, su Embaxador extraordinario a los Principes de Italia, y Alemania, y a esta serenissima Republica de Venetia, etc. Haviendo de partir de esta Ciudad para La Milan el Signior Cavallero Evelyn Ingles, con un Criado, mi han pedido Passa-porte para los Estates de su M. Le he mandado dar el presente, firmando de mi mano, y sellado con el sello de mis armas, por el qual encargo a todos los menestros de S. M. antes quien le presentase y a los que no lo son, supplico les dare passar libramente sin permitir que se le haya vexation alguna antes mandar le las favor para continuar su viage. Fecho en Venecia a 24 del mes de Marzo del an'o 1646.
Mar. de la Fuentes, etc."
Having packed up my purchases of books, pictures, casts, treacle, etc. (the making an extraordinary ceremony whereof I had been curious to observe, for it is extremely pompous and worth seeing), I departed from Venice, accompanied with Mr. Waller (the celebrated poet), now newly gotten out of England, after the Parliament had extremely worried him for attempting to put in execution the commission of Array, and for which the rest of his colleagues were hanged by the rebels.
The next day, I took leave of my comrades at Padua, and receiving some directions from Dr. Salvatico as to the care of my health, I prepared for my journey toward Milan.
It was Easter-Monday that I was invited to breakfast at the Earl of Arundel's. I took my leave of him in his bed, where I left that great and excellent man in tears on some private discourse of crosses that had befallen his illustrious family, particularly the undutifulness of his grandson Philip turning Dominican Friar (since Cardinal of Norfolk), and the misery of his country now embroiled in civil war. He caused his gentleman to give me directions, all written with his own hand, what curiosities I should inquire after in my journey; and, so enjoining me to write sometimes to him, I departed. There stayed for me below, Mr. Henry Howard (afterward Duke of Norfolk), Mr. J. Digby, son of Sir Kenelm Digby, and other gentlemen, who conducted me to the coach.
The famous lapidaries of Venice for false stones and pastes, so as to emulate the best diamonds, rubies, etc., were Marco Terrasso and Gilbert.
An account of what Bills of Exchange I took up at Venice since my coming from Rome, till my departure from Padua:
| 11th Aug., 1645 | 200 |
| 7th Sept. | 135 |
| 1st Oct. | 100 |
| 15th Jan., 1646 | 100 |
| 23d April | 300 |
| 835 Ducati di Banco. |
In company, then, with Mr. Waller, one Captain Wray (son of Sir Christopher, whose father had been in arms against his Majesty, and therefore by no means welcome to us), with Mr. Abdy, a modest and learned man, we got that night to Vicenza, passing by the Euganéan hills, celebrated for the prospects and furniture of rare simples, which we found growing about them. The ways were something deep, the whole country flat and even as a bowling-green. The common fields lie square, and are orderly planted with fruit trees, which the vines run and embrace, for many miles, with delicious streams creeping along the ranges.
Vicenza is a city in the Marquisate of Treviso, yet appertaining to the Venetians, full of gentlemen and splendid palaces, to which the famous Palladio, born here, has exceedingly contributed, having been the architect. Most conspicuous is the Hall of Justice; it has a tower of excellent work; the lower pillars are of the first order; those in the three upper corridors are Doric; under them, are shops in a spacious piazza. The hall was built in imitation of that at Padua, but of a nobler design, à la moderne. The next morning, we visited the theater, as being of that kind the most perfect now standing, and built by Palladio, in exact imitation of the ancient Romans, and capable of containing 5,000 spectators. The scene, which is all of stone, represents an imperial city, the order Corinthian, decorated with statues. Over the Scenario is inscribed: "Virtuti ac Genio Olympior: Academia Theatrum hoc à fundamentis erexit Palladio Architect: 1584." The scene declines eleven feet, the soffito painted with clouds. To this there joins a spacious hall for solemn days to ballot in, and a second for the Academics. In the piazza is also the podesta, or governor's house, the facciata being of the Corinthian order, very noble. The piazza itself is so large as to be capable of jousts and tournaments, the nobility of this city being exceedingly addicted to this knight-errantry, and other martial diversions. In this place are two pillars in imitation
of those at St. Mark's at Venice, bearing one of them a winged lion, the other the statue of St. John the Baptist.