Not far from the river is the village, with a brook running down the middle of its street. This brook serves many purposes. The women kneel beside it with sleeves and kimonos tucked up, washing clothes and vegetables, or dipping buckets in it to get water for baths. There is a loud rattle of wooden hammers at various points, for the stream turns a number of small water-wheels, and these work big wooden hammers which pound up the rice placed in a big stump of a tree hollowed out for a mortar. As you stroll along the village street you see what every one is doing, for the fronts of the houses are all open, and you can see into every corner of each dwelling.
Behind the houses tall bamboos shoot up, and the bamboo is welcome, for it is a tree of many uses. Its wood serves for the framework of houses, and its leaves are often used as thatch. It will make a dish, a box, a plate, a bowl, an oar, a channel for conveying water and a vessel for carrying it, a fishing-rod, a flower-vase, a pipe-stem, a barrel-hoop, a fan, an umbrella, and fifty other things, while young bamboo shoots are eaten and considered a great delicacy.
On fine summer evenings, when the work of the day is over, the villagers gather in the court of the village temple for the odori, the open-air dance. The court is decked with big beautiful paper lanterns, but there is a special one called toro (a light in a basket). The toro is often two feet square by five feet high. On one side of it is the name of the god in whose temple court the dance is being held, while the other is reserved for some short poem, written by one of the youths of the village. There is keen competition among them for the honour of writing the poem chosen to be inscribed on the toro, and two of these tiny poems run thus:
"I looked upon the cherry that blooms by the fence, down by the woodman's
cottage,
And wondered if an untimely snow had fallen upon it."
"Into the evening dew that rolls upon the green blade of the tall-grown
grass in Mushashi Meadow
The summer moon comes stealthily and takes up her dwelling."
The young men and maidens dance in a ring, circling round one who stands in the midst, from whom they take both the time and music of the many dances performed at the odori. The dancers are always young and unmarried. The older people sit on the steps of the temple and watch the merry frolic with a smile.
[CHAPTER XIX]
IN THE COUNTRY (continued)
On a wet day in the country the people thatch themselves to keep off the rain. The favourite waterproof of the coolie is a huge cloak made of rice straw, the long ends sticking out. With this and his great umbrella hat he keeps comfortably dry. Those who do not wear a big hat carry a large oiled paper umbrella, which shelters them well.
There is plenty of wet weather in Japan, particularly in the summer, and then travelling is not very pleasant. The good roads become muddy and soft, and the bad roads become sheer quagmires, in which the coolie pulling the rickshaw is continually losing his straw sandals. These sandals, called waraji, mark out the tracks in every direction, for they soon wear out, and are cast off to litter the wayside in their hundreds. They are quickly and cheaply replaced, however, for almost every roadside house sells them, and a pair may be bought for a sen--something less than a halfpenny.