"The trappings of the horse were scarcely less elaborate. His neck was covered on one side with silver plates, and his mane, which hung on the other side, was braided, and lengthened by black fringes, relieved by silver ornaments. White yaks' tails hung from beneath the embroidered saddle-cover on both sides, and his head, encased in a headstall of white enamelled leather and silver, topped with tall aigrettes, was tied down by an embroidered scarf to give his neck the requisite curve."

The streets through which these gay figures move are worthy of them. Hardly two houses are alike, but all are beautiful in "this shining white pearl among cities." No building is bare. Its front is decorated with half-columns, carved panels, or frescoes in brilliant colours, picturing horses, elephants, and tigers in pursuit of their prey. Balconies and projecting windows are faced with panels of stonework so delicately carved and fretted as to resemble lacework, and in the most beautiful and graceful patterns. And everything is white, glittering white, under a clear, glowing sky, and set beside a great lake as blue as a great sheet of turquoise.

Along the streets flows a most mingled crowd, clad in all the hues of the rainbow, and through this brilliant throng all kinds of beasts of burden thread their way. The mighty elephant, rolling along with his ponderous tread, is followed by a tiny ass no bigger than a large dog. Oxen just as small as the asses, and long-legged camels with great loads on their humped backs, come and go, and people on balconies lean over the parapets and gaze idly on the busy scene.

The most striking thing in Udaipur is the vast palace of the native Prince. The most beautiful things are the two lovely water palaces which stand on islands in the lake.

The former is entered by a fine triple-arched gateway. "Above this gateway soars the great white fabric, airy, unreal, and fantastic as a dream, stretching away in a seemingly endless prospective of latticed cupolas, domes, turrets, and jutting oriel windows, rising tier above tier, at a dizzy height from the ground. A single date-tree spreads its branches above the walls of the topmost court, at the very apex of the pile."

From the foot of the ridge on which stands this glittering pile of splendid masonry the dark blue lake stretches away, its surface broken by two islands, each of which is occupied by a water palace of wonderful beauty. Here one may roam through miles of courts, saloons, corridors, pavilions, balconies, terraces, a fairyland of splendour, in which every room, every gallery is decorated with the most exquisite art. And all this has been wrought by the hand of man, not merely the marvellous palaces, but the very lake itself. This site was once a desert valley, but immense wealth and boundless power have filled the great hollow with blue water, and littered its shores with temples and palaces and pavilions, presenting a scene which, for charm of colour and beauty of outline, can nowhere be surpassed.

CHAPTER IV

IN THE PUNJAB

Beyond the wide desert which stretches along the north-western border of Rajputana lie the plains of the Punjab, running up to the foot-hills of the Himalayas. The Punjab (the Land of Five Rivers), where the Indus and its tributaries roll their waters to the Arabian Sea, is, above all and beyond all, the battlefield of India. For it was upon these plains that the onsets of invaders first fell. Greeks, Persians, Afghans—swarm after swarm poured through the only vulnerable point of Northern India, and fought out on the plains of the Punjab the struggles which meant for them victory or disastrous retreat.