Some personal characteristics remain for illustration before the end is briefly told.
CHAPTER XIX.
PERSONAL CHARACTERISTICS.
1836-1870.
Dickens not a Bookish Man—Character of his Talk—Dickens made to tell his Own Story—Lord Russell on Dickens's Letters—No Self-conceit in Dickens—Letter to his Youngest Son—Personal Prayer—Hymn in a Christmas Tale—Objection to Posthumous Honours—Source of Quarrel with Literary Fund—Small Poets—On "Royalty" Bargains—Editorship—Relations with Contributors—Foreign Views of English People—Editorial Pleasures—Adverse Influences of Periodical Writing—Anger and Satire—No desire to enter the House of Commons—Reforms he took most Interest in—The Liverpool Dinner in 1869—Tribute to Lord Russell—The People governing and the People governed—Tone of Last Book—Alleged Offers from the Queen—The Queen's Desire to see Dickens act—Her Majesty's Wish to hear Dickens read—Interview with the Queen—Dickens's Grateful Impression from it—"In Memoriam" by Arthur Helps—Rural Enjoyments—A Winner in the Games—Dickens's Habits of Life everywhere—Centre and Soul of his Home—Daily Habits—London Haunts—First Attack of Lameness—How it affected his Large Dogs—His Hatred of Indifference—At Social Meetings—Agreeable Pleasantries—Ghost Stories—Marvels of Coincidence—Predominant Impression of his Life—Effects on his Career.
Objection has been taken to this biography as likely to disappoint its readers in not making them "talk to Dickens as Boswell makes them talk to Johnson." But where will the blame lie if a man takes up Pickwick and is disappointed to find that he is not reading Rasselas? A book must be judged for what it aims to be, and not for what it cannot by possibility be. I suppose so remarkable an author as Dickens hardly ever lived who carried so little of authorship into ordinary social intercourse. Potent as the sway of his writings was over him, it expressed itself in other ways. Traces or triumphs of literary labour, displays of conversational or other personal predominance, were no part of the influence he exerted over friends. To them he was only the pleasantest of companions, with whom they forgot that he had ever written anything, and felt only the charm which a nature of such capacity for supreme enjoyment causes every one around it to enjoy. His talk was unaffected and natural, never bookish in the smallest degree. He was quite up to the average of well read men, but as there was no ostentation of it in his writing, so neither was there in his conversation. This was so attractive because so keenly observant, and lighted up with so many touches of humorous fancy; but, with every possible thing to give relish to it, there were not many things to bring away.
Of course a book must stand or fall by its contents. Macaulay said very truly that the place of books in the public estimation is fixed, not by what is written about them, but by what is written in them. I offer no complaint of any remark made upon these volumes, but there have been some misapprehensions. Though Dickens bore outwardly so little of the impress of his writings, they formed the whole of that inner life which essentially constituted the man; and as in this respect he was actually, I have thought that his biography should endeavour to present him. The story of his books, therefore, at all stages of their progress, and of the hopes or designs connected with them, was my first care. With that view, and to give also to the memoir what was attainable of the value of autobiography, letters to myself, such as were never addressed to any other of his correspondents, and covering all the important incidents in the life to be retraced, were used with few exceptions exclusively; and though the exceptions are much more numerous in the present volume, this general plan has guided me to the end. Such were my limits indeed, that half even of those letters had to be put aside; and to have added all such others as were open to me would have doubled the size of my book, not contributed to it a new fact of life or character, and altered materially its design. It would have been so much lively illustration added to the subject, but out of place here. The purpose here was to make Dickens the sole central figure in the scenes revived, narrator as well as principal actor; and only by the means employed could consistency or unity be given to the self-revelation, and the picture made definite and clear. It is the peculiarity of few men to be to their most intimate friend neither more nor less than they are to themselves, but this was true of Dickens; and what kind or quality of nature such intercourse expressed in him, of what strength, tenderness, and delicacy susceptible, of what steady level warmth, of what daily unresting activity of intellect, of what unbroken continuity of kindly impulse through the change and vicissitude of three-and-thirty years, the letters to myself given in these volumes could alone express. Gathered from various and differing sources, their interest could not have been as the interest of these; in which everything comprised in the successive stages of a most attractive career is written with unexampled candour and truthfulness, and set forth in definite pictures of what he saw and stood in the midst of, unblurred by vagueness or reserve. Of the charge of obtruding myself to which their publication has exposed me, I can only say that I studied nothing so hard as to suppress my own personality, and have to regret my ill success where I supposed I had even too perfectly succeeded. But we have all of us frequent occasion to say, parodying Mrs. Peachem's remark, that we are bitter bad judges of ourselves.
The other properties of these letters are quite subordinate to this main fact that the man who wrote them is thus perfectly seen in them. But they do not lessen the estimate of his genius. Admiration rises higher at the writer's mental forces, who, putting so much of himself into his work for the public, had still so much overflowing for such private intercourse. The sunny health of nature in them is manifest; its largeness, spontaneity, and manliness; but they have also that which highest intellects appreciate best. "I have read them," Lord Russell wrote to me, "with delight and pain. His heart, his imagination, his qualities of painting what is noble, and finding diamonds hidden far away, are greater here than even his works convey to me. How I lament he was not spared to us longer. I shall have a fresh grief when he dies in your volumes." Shallower people are more apt to find other things. If the bonhommie of a man's genius is obvious to all the world, there are plenty of knowing ones ready to take the shine out of the genius, to discover that after all it is not so wonderful, that what is grave in it wants depth, and the humour has something mechanical. But it will be difficult even for these to look over letters so marvellous in the art of reproducing to the sight what has once been seen, so natural and unstudied in their wit and fun, and with such a constant well-spring of sprightly runnings of speech in them, point of epigram, ingenuity of quaint expression, absolute freedom from every touch of affectation, and to believe that the source of this man's humour, or of whatever gave wealth to his genius, was other than habitual, unbounded, and resistless.