Money-making and flamboyant display—these are the gods which are worshipped. The houses in the wealthier districts are exotic in architecture. I remember driving along the Avenida Alvear, a street of palaces, reminiscent of the Grand Canal at Venice if it were a roadway. But the fine stone blocks are nothing but stucco. The ornamentation, the floral decorations, are not carved stone; they are stucco. Imitation, pretence, showiness, the flaunting of wealth, are everywhere.
Yet this city, which has grown in a generation on the muddy flats by the side of the muddy Parana River, has something that is weird in its fascination.
[CHAPTER III]
ROUND AND ABOUT THE CAPITAL
The way not to see a city is to be trotted round and shown all the "sights." I have an idea I may have missed some of the "sights" of Buenos Aires. I did not "do" the churches. Acquaintances who knew I went to South America to pursue my trade of writer sometimes asked me what I was going to write about, and the reply was, "I do not know." But I was not believed.
Anyway, I may say that I drifted about "B.A." I presented my letters of introduction, made friends, lunched out and dined out, had motor trips, went here and there as suggestion provided the inclination; maybe to a theatre, or to smoke a cigar in one of the clubs with men who are of account in Argentina or no account at all, or to spend a Sunday with an Argentine family; maybe to idle an hour in one of the cafés; maybe to have a serious talk with a Minister; maybe do nothing but idle round. That is no scientific way to study a city. But it just happens to be my way.
The conclusions I draw may be wrong, for I may have met the wrong people and seen the wrong things, especially as I had no system. Yet out of the confused jumble of impressions and experiences something coherent evolves, and that is the substance of my remarks when I am asked, "Well, what do you think about Buenos Aires?"
It is not my wish to accentuate the point, but open-handed extravagance is one of the traits of the people. It is a fault of democratic countries that, having no aristocracy of birth, they proceed to create one of wealth. Argentina has fine old Spanish families; but, though esteemed, they are in the background. In the wrangle-jangle of frenzied progress they are not to be counted amongst the moderns. So garish is the display of money that the idea left is that you have had your attention called to it by the constant blaring of a bugle.