What, it may be asked, was the reason of M. Loubet’s unpopularity? Well, the Dreyfus days had begun: those wild, frenzied days of feuds, duels and hatreds; of frauds, riots and conspiracies, when Parisians allowed themselves to be governed and blinded by their passions and prejudices. M. Loubet was notoriously in favour of granting the unhappy prisoner on the Devil’s Island a new trial. Paris, on the other hand, misled, intimidated, deceived by the Nationalists, was Anti-Dreyfusard. And hence the tempestuous reception—at once spontaneous and “organised”—accorded the new President on his return from Versailles.
However, in the present paper, it is not my intention to examine the political situation in France during the tumultuous winter, summer and autumn of 1899. My aim is to portray certain scenes and to record certain incidents which may convey an idea of the state of Paris in that epoch, and of her attitude towards M. Loubet. And here let me return without further ado to the crowd before the St-Lazare station, where, after the President’s departure, there appeared yet another amazing agitator in the person of M. Déroulède.
He has been likened to—Don Quixote. And it has also been good-humouredly agreed that in his devoted lieutenant, M. Marcel Habert, he possesses an admirable Sancho Panza. For M. Déroulède is an exalté. M. Déroulède is extravagant, theatrical, often absurd: yet with a noble sincerity in him and an attachment to the idea. And as he stood in the thick of the St-Lazare crowd, with his official Deputy’s sash, with his decoration in his button-hole, with fire in his eye, with a flush on his cheeks and with burning “patriotic” utterances on his lips—as he stood there haranguing and gesticulating, M. Paul Déroulède held everyone’s attention. At that moment, he was passionately inviting his hearers to follow him to Joan of Arc’s statue, there to hold a “patriotic” demonstration. Often, he made such a pilgrimage. Often, too, he made pilgrimages to the Strasbourg monument on the Place de la Concorde: and to the cemeteries where rest the “heroic victims” of Germany. There were many who laughed at him, but his courage and honesty no one, not even his adversaries, doubted. He had fought valiantly in the Franco-Prussian War, and ever since that appalling campaign he had looked after the interests of the scrubby little soldier—le pioupiou—and composed songs and poems in his honour. “Vive l’Armée!” and “Vive la France!” were the eternal, emotional cries of M. Déroulède. At his bidding, Paris echoed those cries. And Paris also “supported” him enthusiastically when he made his pilgrimages to the Place de la Concorde, and the cemeteries, and Joan of Arc’s statue; for in what is essential and fine in him, his noble sincerity and devotion to the idea, even when in the wrong, M. Déroulède stands as the outward and visible type of a quality that belongs to the soul and the genius of France.
Well, upon the present occasion, M. Déroulède’s audience was particularly responsive. “Then follow me!” he shouted triumphantly. And so, behold him leading a long, animated procession from the St-Lazare station to the rue de Rivoli. And behold him again, a few minutes later, standing against the railing that encircles “La Pucelle” astride of her horse. And behold his followers—hundreds of them—closely surrounding him, and the police—scores of them—ready to “charge” the crowd at the first outbreak of disorder. But M. Déroulède, unlike the Anti-Semitic Jules Guérin, was no lover of brawls. He wished only to “defend” the “honour of the Army” (which, by the way, had never been assailed). He desired only to point out that France was governed by a number of men who dreamt day and night, dreamt night and day, dreamt always and always of “selling their country to the enemy.” Ah, these abominable, these infamous traitors! Even as he, Paul Déroulède, stood there, at the foot of Joan of Arc’s statue, this sinister, this diabolical Government was plotting the “réhabilitation” of a man—no, a scoundrel—convicted by his own colleagues of treason.
“Citizens, our France, our beloved France, is in danger. Citizens, do your duty. Citizens, drive away the traitors who govern you. Citizens, show your execration of these traitors by crying with me: “Vive l’Armée!” “Vive la France!” “Vive la patrie!”
And again the crowd was responsive. This time, indeed, there were shouts of “Vive Déroulède!” Parisians came running up from neighbouring streets, so that the crowd grew and expanded. On the tops of the omnibuses passengers cheered encouragingly. At every window and on every doorstep stood spectators. In fine, much animation around Joan of Arc’s statue.
“En avant!” cried, martially, our Don Quixote. Warned by the police to be “prudent,” he replied that he was a “patriot,” and hotly demanded that his Deputy’s sash should be respected. Then, placing himself at the head of his followers, he led them triumphantly towards the grands boulevards. Again, “patriotic” cries. Again, fierce denunciations of the “Government of Traitors.”
And, in M. Déroulède’s organ, Le Drapeau, next morning, what an exultant account of M. Loubet’s tempestuous début in Paris, and what a glowing recital of the “grandiose” and “glorious” manifestation held at the foot of Joan of Arc’s gilded statue.
After this we had daily, almost hourly, manifestations. Very affairé, but always urbane and imperturbable, was the “Emperor of the Camelots.” Very active and zealous were Messieurs les Quarante-Sous. And very garrulous, excited and nervous were the Parisians. In cafés they emotionally agreed that the situation was “grave.” In cafés, also, they whispered of plots against the President and the Republic—sensational plots that greatly agitated the Chief of the Police. Yes, M. Lépine was alarmed; M. Lépine had lost his appetite; M. Lépine could not rest at night for thinking of the shoals and shoals of conspirators then present in Paris. A veritable plague of conspirators!