The result was, in the main, satisfactory. Father Peter was no great linguist, but he had been on the continent, and knew enough of continental tongues to comprehend that the boy’s name was Pedro; that he was a native of Burgos, the capital of Castile; that he had left his country as one of a band of musicians bound for London: that they had been shipwrecked on the coast, and that he, having escaped a watery grave, had wandered into the woods, not knowing whither he went; and on the approach of the boar, and the hounds, and the hunter, he had climbed a tree to escape observation; and, with an innocent smile, he confirmed his story by producing an instrument, and accompanying himself, while he sang the ballad of “The Captive Knight and the Merle;” and finally melted all hearts by bursting into tears, and deploring his plight as a helpless orphan in a strange land.
The victory was now complete. Dame Waledger insisted on young Pedro being handed over to her as a page; and in a day or two he was strutting about dressed in crimson, accompanying the ladies of the castle when they ventured into the chase to fly their hawks, singing to them his native ballads, and diverting them with his droll attempts to speak the language of the country in which he found himself, and of the people among whom he had been so strangely cast.
Sir Anthony’s liking for Pedro rather increased as weeks passed over, and he allowed the boy to come about him at times when he would not have been seen by any other mortal—even in a certain wainscoted chamber of the great hall, which was reserved for the use of the lord of the castle and the governor, and which none of the household—knights, squires, or grooms—were ever allowed to enter; not that there was anything very particular about the interior, except one tall panel, on which was depicted the battle of Hastings, with a very grim De Moreville bearing one of the conqueror’s standards. But this panel appeared to have much more interest for Pedro than even the pictorial embellishment would account for, and often his eye stole furtively towards it.
Ere long Pedro did something which, but for superstition and jealousy, ought to have won golden opinions among that part of De Moreville’s household attached to the stables, and devoted to the Norman baron’s stud. After being conducted to his stall, fresh from the horrors of the boar-hunt, Ayoub displayed a very haughty temper. For days he declined in the most distinct manner to be groomed, and refused all provender, and after his hunger got the better of him, and he began to feed, he took refuge in sullenness, and repelled every attempt to deal with him as an ordinary steed.
At length Sir Anthony’s peremptory command had such an effect that the grooms forcibly cast the refractory steed in his stall, bitted and bridled him, and led him forth to exercise. But a fresh difficulty now arose. Do what they would, he kicked against all attempts to mount him, and Clem the Bold Rider, a lad of seventeen, and one of those mediæval stable-boys who had hitherto had the credit of being able to deal successfully with the wildest and fiercest of chargers, in vain essayed to bring Ayoub to reason or reduce him to submission.
It was a November morning, but the sun was shining brightly for the time, when the grand struggle took place outside the great drawbridge leading into the courtyard, and all the officials connected with the stable, and the huntsmen, and most of the garrison, were present to witness the contest between the skilful equestrian and the refractory steed. Sir Anthony also was there, determined that—no matter how many necks might be broken—Ayoub should be mounted and ridden; and with him were Richard de Moreville, Hugh’s nephew, and Pedro, the lady’s page, who appeared to take a lively interest in the business, and clapped his hands in the excess of his innocent excitement, till the knight, smiling kindly on him, patted his head, and remarked to young De Moreville that of all urchins this urchin was the most diverting.
At length the critical moment arrived, and Clem the Bold Rider manned himself with dauntless air, and, coaxing and caressing the while, attempted quietly to mount. It was vain. Ayoub declined. Unable to accomplish his purpose by flattery, Clem had recourse to stratagem, and made a brave effort to take the charger unawares, vault on his back, and then trust to his skilful hand and strong arm. But it would not do. Ayoub was vigilant as a rabbit, and though his eyes were covered for the moment by the grooms who held him, he seemed instinctively to know what was intended, and baffled the stratagem by a sudden movement which left Clem sprawling on the ground. Still, the word of Sir Anthony being law, and his purpose continuing inflexible, force was resorted to, and a fierce struggle ensued, the men having the advantage at one moment and the horse at another. But in the long run, Ayoub, by plunging, and capering, and kicking furiously, gained the victory, and the knight’s rage knew no bounds.
“By the head of St. Anthony!” exclaimed he, drawing his dagger, “the accursed brute shall pay the penalty of its obstinacy by dying on the spot where he has defied our will.”
“Holy Woden, sir knight!” exclaimed Richard de Moreville in surprise, “you would not kill that noble horse, and he the property of another person? Master Icingla is a prisoner, but not taken in battle, and neither his steed nor his sword is forfeit. Credit me, the world, if it hears of this, will cry shame on us if we so flagrantly violate the laws of honour, which are binding on all chevaliers—especially on you and me, who are of Norman race, and therefore doubly bound to observe all usages.”
Sir Anthony was about to reply, but at that moment Pedro, who had been listening to the conversation, without, of course, understanding it, ran forward to the spot where the grooms were still holding Ayoub, and commenced earnest endeavours to communicate by signs something which he wished them to understand, now pointing to the sky, then to the ground, and then to the horse. Meanwhile Richard de Moreville resumed the conversation.