| "Hole-in-the-Wall" on the Upper Missouri. | Palisades of the Upper Missouri. |
And Rose the Renegade, who became the chief of a powerful tribe of Indians! And Father de Smet, one of the noblest figures in history, carrying the gospel into the wilderness! And Le Barge, the famous pilot, whose biography reads like a romance! In the history of the Missouri River there were hundreds of these heroes, these builders of the epic West. Some of them were violent at times; some were good men and some were bad. But they were masterful always. They met obstacles and overcame them. They struck their foes in front. They thirsted in deserts, hungered in the wilderness, froze in the blizzards, died with the plagues, and were massacred by the savages. Yet they conquered. Heroes of an unwritten epic! And their pathway to defeat and victory was the Missouri River.
If you wish to have your epic spiced with the glamour of kings, the history of the river will not fail you; for in those days there were kings as well as giants in the land. Though it was not called such, all the blank space of the map of the Missouri River country and even to the Pacific, was one vast empire—the empire of the American Fur Company; and J.J. Astor in New York spoke the words that filled the wilderness with deeds. Thus democratic America once beheld within her own confines the paradox of an empire truly Roman in character.
Here and there on the banks of the great waterway—an imperial road that would have delighted Cæsar—many forts were built. These were the ganglia of that tremendous organism of which Astor was the brain. The bourgeois of one of these posts was virtually proconsul with absolute power in his territory. Mackenzie at Union—which might be called the capital of the Upper Missouri country—was called "King of the Missouri." He had an eye for seeing purple. At one time he ordered a complete suit of armor from England; and even went so far as to have medals struck, in true imperial fashion, to be distributed among his loyal followers.
Far and wide these Western American kings flung the trappers, their subjects, into the wilderness. Verily, in the unwritten "Missouriad" there is no lack of regal glamour.
The ancients had a way of making vast things small enough to be familiar. They make gods of the elements, and natural phenomena became to them the awful acts of the gods.
These moderns made no gods of the elements—they merely conquered them! The ancients idealized the material. These moderns materialized the ideal. The latter method is much more appealing to me—an American—than the former. I love the ancient stories; but it is for the modern marvellous facts that I reserve my admiration.
When one looks upon his own country as from a height of years, old tales lose something of their wonder for him. It is owing to this attitude that the prospect of descending the great river in a power canoe from the head of navigation gave me delight.