THE POILU
The soldier of France, the poilu, is a crusader. He is fighting to defend France, his great mother, in whose defense, centuries ago, the invisible powers called and sustained Jeanne d'Arc. In his love of country there is something almost religious, like that of the Mohammedan for Mecca and Medina. To serve France, to fight for her, to die for her—and every French soldier expects to die in battle—is a privilege as well as a duty. He fights for his country as an Englishman fights for his home. With the Englishman, his home comes first and is nearest and dearest; with the Frenchman, his country.
Philip Gibbs, who has written from day to day, from the trenches and the battlefields, letters that will never be forgotten because of their beauty and truth, says of the French poilu:—
"Yet if the English reader imagines that because this thread of sentiment runs through the character of France there is a softness in the qualities of French soldiers, he does not know the truth. Those men whom I saw at the front and behind the fighting lines were as hard in moral and spiritual strength as in physical endurance. It was this very hardness which impressed me even in the beginning of the war, when I did not know the soldiers of France as well as I do now. After a few weeks in the field these men, who had been laborers and mechanics, clerks and journalists, artists and poets, shop assistants and railway porters, hotel waiters, and young aristocrats of Paris, were toned down to the quality of tempered steel. With not a spare ounce of flesh on them—the rations of the French army are not as rich as ours—and tested by long marches down dusty roads, by incessant fighting in retreat against overwhelming odds, by the moral torture of those rearguard actions, and by their first experience of indescribable horrors, among dead and dying comrades, they had a beauty of manhood which I found sublime. They were bronzed and dirty and hairy, but they had the look of knighthood, with a calm light shining in their eyes and with resolute lips. They had no gayety in those days, when France was in gravest peril, and they did not find any kind of fun in this war. Out of their baptism of fire they had come with scorched souls, knowing the murderous quality of the business to which they were apprenticed, but though they did not hide their loathing of it, nor the fears which had assailed them, nor their passionate anger against the people who had thrust this thing upon them, they showed no sign of weakness. They were willing to die for France, though they hated death, and in spite of the first great rush of the German legions, they had a fine intellectual contempt of that army, which seemed to me then unjustified, though they were right, as history now shows. Man against man, in courage and cunning they were better than the Germans, gun against gun they were better, in cavalry charge and in bayonet charge they were better, and in equal number irresistible."
THE TOMMY
John Masefield, the English writer, says, "St. George did not go out against the dragon like that divine calm youth in Carpaccio's picture, nor like that divine calm man in Donatello's statue. He went out, I think, after some taste of defeat knowing that it was going to be bad, and that the dragon would breathe fire, and that very likely his spear would break, and that he wouldn't see his children again, and people would call him a fool. He went out, I think, as the battalions of our men went out, a little trembling and a little sick and not knowing much about it, except that it had to be done, and then stood up to the dragon in the mud of that far land and waited for him to come on."
[Illustration: Saint George and the Dragon, painted by V. Carpaccio in 1516, Venice; S. Giorgio Maggiore. The background, as in most medieval paintings, gives scenes that explain further the legend depicted.]
But as soon as the British Tommy had reached the dragon's lair, he became the British player in a great championship game of the nations. He was the British sportsman, hunting big game; for in matters of life or death, he is always the player or the sportsman. That it was a hideous dragon breathing out poison gas and fire and destroying Christian maidens, made the sport all the more interesting and worth while. Philip Gibbs says of the English Tommy:—