“Baryn, let's do Humpty-Dumpty!”
“All right; come on!” He rose and carried her upstairs.
Gyp was still doing one of those hundred things which occupy women for a quarter of an hour after they are “quite ready,” and at little Gyp's shout of, “Humpty!” she suspended her needle to watch the sacred rite.
Summerhay had seated himself on the foot-rail of the bed, rounding his arms, sinking his neck, blowing out his cheeks to simulate an egg; then, with an unexpectedness that even little Gyp could always see through, he rolled backward on to the bed.
And she, simulating “all the king's horses,” tried in vain to put him up again. This immemorial game, watched by Gyp a hundred times, had to-day a special preciousness. If he could be so ridiculously young, what became of her doubts? Looking at his face pulled this way and that, lazily imperturbable under the pommelings of those small fingers, she thought: 'And that girl dared to say he was WASTING HIMSELF!' For in the night conviction had come to her that those words were written by the tall girl with the white skin, the girl of the theatre—the Diana of his last night's dinner. Humpty-Dumpty was up on the bed-rail again for the finale; all the king's horses were clasped to him, making the egg more round, and over they both went with shrieks and gurgles. What a boy he was! She would not—no, she would not brood and spoil her day with him.
But that afternoon, at the end of a long gallop on the downs, she turned her head away and said suddenly:
“Is she a huntress?”
“Who?”
“Your cousin—Diana.”
In his laziest voice, he answered: