ACT II. SCENE I. A month later. An Auction Room. SCENE II. The same evening. CHLOE'S Boudoir.
ACT III
SCENE I. The following day. HILLCRIST'S Study. Morning. SCENE II. The Same. Evening.
ACT I
HILLCRIST'S study. A pleasant room, with books in calf bindings, and signs that the HILLCRIST'S have travelled, such as a large photograph of the Taj Mahal, of Table Mountain, and the Pyramids of Egypt. A large bureau [stage Right], devoted to the business of a country estate. Two foxes' masks. Flowers in bowls. Deep armchairs. A large French window open [at Back], with a lovely view of a slight rise of fields and trees in August sunlight. A fine stone fireplace [stage Left]. A door [Left]. A door opposite [Right]. General colour effect—stone, and cigar-leaf brown, with spots of bright colour.
[HILLCRIST sits in a swivel chair at the bureau, busy with papers. He has gout, and his left foot is encased accord: He is a thin, dried-up man of about fifty-five, with a rather refined, rather kindly, and rather cranky countenance. Close to him stands his very upstanding nineteen-year-old daughter JILL, with clubbed hair round a pretty, manly face.]
JILL. You know, Dodo, it's all pretty good rot in these days.
HILLCRIST. Cads are cads, Jill, even in these days.
JILL. What is a cad?
HILLCRIST. A self-assertive fellow, without a sense of other people.