Without a word Cecilia turned round and hurried to the door. She saw her father drop the sheet of paper; she saw his face, all pink and silver, stooping after it; and remorse visited her anger.
In the corridor outside she was arrested by a noise. The uncertain light of London halls fell there; on close inspection the sufferer was seen to be Miranda, who, unable to decide whether she wanted to be in the garden or the house, was seated beneath the hatrack snuffling to herself. On seeing Cecilia she came out.
“What do you want, you little beast?”
Peering at her over the tops of her eyes, Miranda vaguely lifted a white foot. 'Why ask me that?' she seemed to say. 'How am I to know? Are we not all like this?'
Her conduct, coming at that moment, over-tried Cecilia's nerves. She threw open Hilary's study-door, saying sharply: “Go in and find your master!”
Miranda did not move, but Hilary came out instead. He had been correcting proofs to catch the post, and wore the look of a man abstracted, faintly contemptuous of other forms of life.
Cecilia, once more saved from the necessity of approaching her sister, the mistress of the house, so fugitive, haunting, and unseen, yet so much the centre of this situation, said:
“Can I speak to you a minute, Hilary?”
They went into his study, and Miranda came creeping in behind.
To Cecilia her brother-in-law always seemed an amiable and more or less pathetic figure. In his literary preoccupations he allowed people to impose on him. He looked unsubstantial beside the bust of Socrates, which moved Cecilia strangely—it was so very massive and so very ugly! She decided not to beat about the bush.