He, who had never heard these sainted names, answered:
“Oh! Ponte Canet, without doubt. But if you're working I'll come in another time.”
“Lord! no! Have a smoke. I'll just finish lookin' out their blood—and take a pull.”
And so Lennan sat down to watch those researches, wreathed in cigar smoke and punctuated by muttered expletives. They were as sacred and absorbing, no doubt, as his own efforts to create in clay; for before Dromore's inner vision was the perfect racehorse—he, too, was creating. Here was no mere dodge for making money, but a process hallowed by the peculiar sensation felt when one rubbed the palms of the hands together, the sensation that accompanied all creative achievement. Once only Dromore paused to turn his head and say:
“Bally hard, gettin' a taproot right!”
Real Art! How well an artist knew that desperate search after the point of balance, the central rivet that must be found before a form would come to life.... And he noted that to-day there was no kitten, no flowers, no sense at all of an extraneous presence—even the picture was curtained. Had the girl been just a dream—a fancy conjured up by his craving after youth?
Then he saw that Dromore had dropped the large green book, and was standing before the fire.
“Nell took to you the other day. But you always were a lady's man. Remember the girl at Coaster's?”
Coaster's tea-shop, where he would go every afternoon that he had money, just for the pleasure of looking shyly at a face. Something beautiful to look at—nothing more! Johnny Dromore would no better understand that now than when they were at 'Bambury's.' Not the smallest good even trying to explain! He looked up at the goggling eyes; he heard the bantering voice:
“I say—you ARE goin' grey. We're bally old, Lenny! A fellow gets old when he marries.”