He had secured the corner seat next the conductor, where his long legs made it difficult for anyone to get in, and at all who passed him he looked resentfully, as if they had no business to be using up his air.
He intended to take an opportunity this afternoon of speaking to Irene. A word in time saved nine; and now that she was going to live in the country there was a chance for her to turn over a new leaf! He could see that Soames wouldn’t stand very much more of her goings on!
It did not occur to him to define what he meant by her “goings on”. the expression was wide, vague, and suited to a Forsyte. And James had more than his common share of courage after lunch.
On reaching home, he ordered out the barouche, with special instructions that the groom was to go too. He wished to be kind to her, and to give her every chance.
When the door of No.62 was opened he could distinctly hear her singing, and said so at once, to prevent any chance of being denied entrance.
Yes, Mrs. Soames was in, but the maid did not know if she was seeing people.
James, moving with the rapidity that ever astonished the observers of his long figure and absorbed expression, went forthwith into the drawing-room without permitting this to be ascertained. He found Irene seated at the piano with her hands arrested on the keys, evidently listening to the voices in the hall. She greeted him without smiling.
“Your mother-in-law’s in bed,” he began, hoping at once to enlist her sympathy. “I’ve got the carriage here. Now, be a good girl, and put on your hat and come with me for a drive. It’ll do you good!”
Irene looked at him as though about to refuse, but, seeming to change her mind, went upstairs, and came down again with her hat on.
“Where are you going to take me?” she asked.