While under the charge of Dr Glennie, he was playful, good-humoured, and beloved by his companions; and addicted to reading history and poetry far beyond the usual scope of his age. In these studies he showed a predilection for the Scriptures; and certainly there are many traces in his works which show that, whatever the laxity of his religious principles may have been in after-life, he was not unacquainted with the records and history of our religion.
During this period, Mrs Byron often indiscreetly interfered with the course of his education; and if his classical studies were in consequence not so effectually conducted as they might have been, his mind derived some of its best nutriment from the loose desultory course of his reading.
Among the books to which the boys at Dr Glennie’s school had access was a pamphlet containing the narrative of a shipwreck on the coast of Arracan, filled with impressive descriptions. It had not attracted much public attention, but it was a favourite with the pupils, particularly with Byron, and furnished him afterwards with the leading circumstances in the striking description of the shipwreck in Don Juan.
Although the rhymes upon the lunar lady of Notts are supposed to have been the first twitter of his muse, he has said himself, “My first dash into poetry was as early as 1800. It was the ebullition of a passion for my first cousin, Margaret Parker. I was then about twelve, she rather older, perhaps a year.” And it is curious to remark, that in his description of this beautiful girl there is the same lack of animal admiration which we have noticed in all his loves; he says of her:—
“I do not recollect scarcely anything equal to the transparent beauty of my cousin, or to the sweetness of her temper, during the short period of our intimacy: she looked as if she had been made out of a rainbow, all beauty and peace.” This is certainly poetically expressed; but there was more true love in Pygmalion’s passion for his statue, and in the Parisian maiden’s adoration of the Apollo.
When he had been nearly two years under the tuition of Dr Glennie, he was removed to Harrow, chiefly in consequence of his mother’s interference with his studies, and especially by withdrawing him often from school.
During the time he was under the care of Dr Glennie, he was more amiable than at any other period of his life, a circumstance which justifies the supposition, that, had he been left more to the discipline of that respectable person, he would have proved a better man; for, however much his heart afterwards became incrusted with the leprosy of selfishness, at this period his feelings were warm and kind. Towards his nurse he evinced uncommon affection, which he cherished as long as she lived. He presented her with his watch, the first he possessed, and also a full-length miniature of himself, when he was only between seven and eight years old, representing him with a profusion of curling locks, and in his hands a bow and arrow. The sister of this woman had been his first nurse, and after he had left Scotland he wrote to her, in a spirit which betokened a gentle and sincere heart, informing her with much joy of a circumstance highly important to himself. It was to tell her that at last he had got his foot so far restored as to be able to put on a common boot, an event which he was sure would give her great pleasure; to himself it is difficult to imagine any incident which could have been more gratifying.
I dwell with satisfaction on these descriptions of his early dispositions; for, although there are not wanting instances of similar warm-heartedness in his later years, still he never formed any attachments so pure and amiable after he went to Harrow. The change of life came over him, and when the vegetable period of boyhood was past, the animal passions mastered all the softer affections of his character.
In the summer of 1801 he accompanied his mother to Cheltenham, and while he resided there the views of the Malvern hills recalled to his memory his enjoyments amid the wilder scenery of Aberdeenshire. The recollections were reimpressed on his heart and interwoven with his strengthened feelings. But a boy gazing with emotion on the hills at sunset, because they remind him of the mountains where he passed his childhood, is no proof that he is already in heart and imagination a poet. To suppose so is to mistake the materials for the building.
The delight of Byron in contemplating the Malvern hills, was not because they resembled the scenery of Lochynagar, but because they awoke trains of thought and fancy, associated with recollections of that scenery. The poesy of the feeling lay not in the beauty of the objects, but in the moral effect of the traditions, to which these objects served as talismans of the memory. The scene at sunset reminded him of the Highlands, but it was those reminiscences which similar scenes recalled, that constituted the impulse which gave life and elevation to his reflections. There is not more poesy in the sight of mountains than of plains; it is the local associations that throw enchantment over all scenes, and resemblance that awakens them, binding them to new connections: nor does this admit of much controversy; for mountainous regions, however favourable to musical feeling, are but little to poetical.