Chambers and Payne, who were leading members in the Society, being both architects, were equally desirous that the funds should be laid out in the decoration of some edifice adapted to the objects of the institution. This occasioned so much debate, division, and rivalry, among their respective partisans, that Mr. West was induced to resign the office of director, and to withdraw along with Mr. Reynolds (afterwards Sir Joshua) and others, disgusted with the bickering animosities which disgraced the proceedings at their meetings. This transaction made some noise at the time, and it happened on the very day when Mr. West waited on the King, with his sketch of the Departure of Regulus, that the newspapers contained some account of the matter. His Majesty enquired the cause and particulars of the schism, and Mr. West, in stating what they were, mentioned that the principles of his religion made him regard such proceedings as exceedingly derogatory to the professors of the arts of peace.
This led the King to say that he would gladly patronise any association which might be formed more immediately calculated to improve the arts. Mr. West, after retiring from the palace, communicated this to Chambers and Moser, and, upon conferring on the subject with Mr. Coats, it was agreed that the four should constitute themselves a committee of the dissenting artists, to draw up the plan of an academy. When this was mentioned to His Majesty, he not only approved of their determination, but took a great personal interest in the scheme, and even drew up several of the laws himself with his own hand. Nor should one remarkable circumstance be omitted; he was particularly anxious that the whole design should be kept a profound secret, being apprehensive that it might be converted into some vehicle of political influence.
In the mean time the picture of the Departure of Regulus was going forward, and it was finished about the time that the code of rules for the academy was completed. The incorporated artists were also busy, and had elected as their president Mr. Kirby, who had been preceptor in perspective to the King, and who had deservedly gained great celebrity by his treatise on the principles of that branch of art. Kirby, having free access to the royal presence, and never hearing from His Majesty any thing respecting the academy, was so satisfied in his own mind that the rumours, respecting such an institution being intended, were untrue, that, in his inaugural address from the chair, he assured the incorporated artists there was not the slightest intention entertained of establishing a Royal Academy of Art.
When the Departure of Regulus was finished, the King appointed a time for Mr. West to bring the picture to Buckingham-house. The Artist having carried it there, His Majesty, after looking at it some time, went and brought in the Queen by the hand, and seated her in a chair, which Mr. West placed in the best situation for seeing the picture to advantage. While they were conversing on the subject, one of the pages announced Mr. Kirby; and the King consulted Her Majesty in German about the propriety of admitting him at that moment. Mr. West, by his residence among the German inhabitants of Lancaster in America, knew enough of the language to understand what they said, and the opinion of the Queen was that Kirby might certainly be admitted, but for His Majesty to take his own pleasure. The attendant was in consequence ordered to show him in, and Mr. West was the more pleased at this incident, as it afforded him an advantageous opportunity of becoming personally known to Kirby, with whom, on account of his excellent treatise, he had for some time been desirous to become acquainted.
When Kirby looked at the picture he expressed himself with great warmth in its praise, enquiring by whom it had been painted; upon which the King introduced Mr. West to him. It would perhaps be doing injustice to say that the surprise with which he appeared to be affected on finding it the production of so young a man, had in it any mixture of sinister feeling; but it nevertheless betrayed him into a fatal indiscretion. As a preceptor to the King, he had been accustomed to take liberties which ought to have terminated with the duties of that office; he, however, inadvertently said, "Your Majesty never mentioned any thing of this work to me." The tone in which this was uttered evidently displeased the King, but the discretion of the unfortunate man was gone, and he enquired in a still more disagreeable manner, "Who made this frame?" Mr. West, anxious to turn the conversation, mentioned the maker's name; but this only served to precipitate Mr. Kirby into still greater imprudence, and he answered somewhat sharply, "That person is not Your Majesty's workman;" and naming the King's carver and gilder said, "It ought to have been made by him." The King appeared a good deal surprised at all this, but replied in an easy good-humoured way, "Kirby, whenever you are able to paint me a picture like this, your friend shall make the frame." The unhappy man, however, could not be restrained, and he turned round to Mr. West, and in a tone which greatly lessened the compliment the words would otherwise have conveyed, said, "I hope you intend to exhibit this picture." The Artist answered, that as it was painted for His Majesty, the exhibition must depend on his pleasure; but that, before retiring, it was his intention to ask permission for that purpose. The King immediately said, "Assuredly I shall be very happy to let the work be shown to the public."--"Then, Mr. West," added Kirby, "you will send it to my exhibition," (meaning to the exhibition of the Incorporated Artists). "No," interposed the King, firmly, "it must go to my exhibition,--to the Royal Academy." Poor Kirby was thunderstruck; but only two nights before, in the confidence of his intercourse with the King, he had declared that even the design of forming such an institution was not contemplated. His colour forsook him, and his countenance became yellow with mortification. He bowed with profound humility, and instantly retired, nor did he long survive the shock.
On the day following, a meeting of the artists who had separated themselves from the incorporated association, was to be holden in the evening at the house of Wilton the sculptor, in order to receive the code of laws, and to nominate the office-bearers of the Academy. In the course of the morning, Mr. Penny, who was intended to be appointed professor of painting, called on Mr. West and mentioned that he had been with Reynolds, and that he thought, for some unfathomable reason or another, that distinguished artist would not attend the meeting. Soon after, Moser likewise called, and stated the same thing. Mr. West was much perplexed at this information; for it had been arranged with the King that Reynolds, although not in the secret, nor at all consulted in the formation of the Academy, should be the president. He therefore went immediately to his house, and finding him disengaged, mentioned, without alluding to what he had heard, the arrangements formed for instituting an academy, and that a meeting of thirty artists named by the King, of the forty members of which it was intended the Academy should consist, was that evening to take place at Wilton's. Reynolds was much surprised to hear matters were so far advanced, and explained to Mr. West that Kirby had assured him in the most decided manner, that there was no truth whatever in the rumour of any such design being in agitation, and that he thought it would be derogatory to attend a meeting, constituted, as Kirby represented it, by persons who had no sanction or authority for doing what they had undertaken. To this Mr. West answered, "As you have been told by Mr. Kirby that there is no intention to form any institution of the kind, and by me that there is, that even the rules are framed, and the officers condescended on, yourself to be president, I must insist on your going with me to the meeting, where you will be satisfied which of us deserves to be credited in this business."
In the evening, at the usual hour, Mr. West went to take tea with Reynolds, before going to the meeting, and it so fell out, either from design or accident, that it was not served till a full hour later than common, not indeed till the hour fixed for the artists to assemble at Wilton's, so that, by the time they arrived there, the meeting was on the point of breaking up, conceiving that as neither Reynolds nor West had come, something unexpected and extraordinary must have happened. But on their appearing, a burst of satisfaction manifested the anxiety that had been felt, and without any farther delay the company proceeded to carry into effect the wishes of the King. The code of laws was read, and the gentlemen recommended by the King to fill the different offices being declared the officers, the code of laws was accepted. Reynolds was declared president, Chambers treasurer, Newton secretary, Moser keeper, Penny professor of painting, Wale professor of perspective, and Dr. William Hunter professor of anatomy. A report of the proceedings was made to His Majesty next morning, who gave his sanction to the election, and the Academy was thus constituted. The academicians afterwards met and chose a council to assist the president, and visitors to superintend the schools in three branches of art, painting, sculpture, and architecture. Thus, on the 10th December, 1768, under the title of the Royal Academy of the Arts in London, that Institution, which has done more to excite a taste for the fine arts in this country, than any similar institution ever did in any other, was finally formed and established.
Chap. V.
The opening of the Royal Academy.--The Death of General Wolfe.--Anecdote of Sir Joshua Reynolds.--New Pictures ordered by the King.--Origin of the Series of Historical Pictures painted for Windsor Castle.--Design for a grand Chapel in Windsor Castle, to illustrate the History of revealed Religion.--His Majesty's Scruples on the Subject.--His confidential Consultation with several eminent Divines.--The Design undertaken.