"The patronage which has flowed from other quarters, deserves very honourable mention; and is of so much importance, that without it the spirit of art must droop, and the very profession of it be contracted in every situation whatever. It is not by the influence and support of any individual character, how elevated soever, or how warm soever in his attachment to taste and elegance, that the extent of professional talents spread through a country, can be effectually sustained with adequate encouragements. It is the wealthy and the great, who are commonly trained by their situations to the perception of what is elegant and refined, that must come forward in such an illustrious undertaking. It is only they who can meet every where the merit, let it be disseminated as it may, which is entitled, to distinction. Without the patronage of such, the arts could never have obtained their high meridian in Greece and Italy. Had not the communities and rich individuals in Greece taken the arts under their protection, not all the encouragement of Pericles, or of Alexander the Great, could have drawn forth that immense body of painting and sculpture which filled the country. Had the patronage of Italy rested with the popes and princes, unaccompanied by those munificent supports which flowed from the churches and convents, as well as from private individuals of rank and wealth, the galleries of that country could never have been so superbly filled as they were, nor could those collections have been made from thence, which have filled so many galleries and cabinets elsewhere.
"These facts are not to be denied; but they also lead us to another lesson, which is, that the patronage so generally dispensed was for the protection of living genius, and that they by whom it was so dispensed sought no other collections than the works of native and living artists. On any other ground there can be no such thing as patronage. Nothing else is worthy of that name. The true and generous patron of great works selects those which are produced by the talents existing around him. By collecting from other countries, he may greatly enrich himself, but can never give celebrity to the country in which he lives. The encouragement extended to the genius of a single artist, though it may produce but one original work, adds more to the celebrity of a people, and is a higher proof of true patriotic ardour, and of a generous love for the progress of art, than all the collections that ever were made by the productions of other countries, and all the expenditures that ever were bestowed in making them. Did the habits of our domestic circumstances, like those of Italy, permit the ingenious student to have access to those works of established masters, procured by the spirit of their noble and wealthy possessors, and of many distinguished amateurs on the most liberal terms, and with the honourable purpose of forming the taste, as well as enriching the treasures, of the country, every thing would then be done, which is wanting to complete the public benefit of such collections, and the general gratitude to which they who have made them would be entitled. So abundant are the accomplished examples in art already introduced among us, that there would then be no necessity for students to run to other countries for those improvements which their own can furnish.
"It cannot be improper at any time to make these remarks; while it must also be observed, that the patronage held forth by many great and noble characters needs no spur; and the means projected by other spirited individuals in opulent stations, for extending and perpetuating the works of British masters, fall short in no degree of the most fervid energies and examples, of which any country has been able to boast.
"It is your duty, young gentlemen, to become accomplished in your professions, that you may keep alive those energies and examples of patronage, when you come to draw the attention of the world to your own works. It is by your success that the arts must be carried on and preserved here. Patronage can only be expected to follow what is eminently meritorious, and more especially that general patronage diffused through the more respectable ranks of society, which is to professional merit, what the ocean is to the earth;--the great fund from whence it must ever be refreshed, and without whose abundance, conveyed through innumerable channels, every thing must presently become dry, and all productions cease to exist."
Chap. XII.
Discourse.--Introduction.--Of appropriate Character in Historical Composition.--Architecture among the Greeks and Romans.--Of the Athenian Marbles.--Of the Ancient Statues.--Of the Moses and Saviour of Michael Angelo.--Of the Last Judgment of Michael Angelo.--Of Leonardo da Vinci.--Of Bartolomeo.--Of Raphael.--Of Titian, and his St. Peter Martyr.--Of the different Italian Schools.--Of the Effects of the Royal Academy.--Of the Prince Regent's Promise to encourage the Fine Arts.
After a careful examination of all the remaining notes of Mr. West, it appeared to me, that the discourse which he delivered on the 10th of December, 1811, was the only one that required particular notice, after those which I have already introduced. In some respects it will, perhaps, be deemed the most interesting of the whole.
"The few points," said the President, "upon which I mean to touch in the present Discourse, are those which more immediately apply to the students, who are generously striving to attain excellence in the first class of refined art,--historical painting.
"Whether their exertions are directed to painting, or the sister arts, architecture and sculpture, the first thing they must impress upon their minds, and engraft upon every shoot of their fancy, is that of the appropriate character, by which the subject they are about to treat, is distinguished from all other subjects. On this foundation, all the points of refined art which are, in the truest sense, intellectual, invariably rest; for without justness of character the works of the pencil can have but little value, and can never entitle the artist to the praise of a well-governed genius, or of possessing that philosophical precision of judgment, which is the source of excellence in the superior walk of his profession. At the same time, let it be indelibly fixed in your minds, that when decided character is to be given, that character must be accompanied by correctness of outline, whether it be in painting or in sculpture. Any representation of the human figure, in the higher department of art, wanting these requisites, is, to the feelings of the educated artist, deficient in that, for the loss of which no other excellency can compensate.
"Architecture.--This department of art received its decided character from the Greeks. They distinctly fixed the embellishments to the several orders; and, by their adaptation of these embellishments and orders, their buildings obtained a distinct and appropriate character, which declared the uses for which they were erected.