Samuel Shoemaker [Footnote: This gentleman was afterwards introduced by Mr. West to the King, at Windsor, as one of the American Loyalists.], an intimate friend of Mr. Pennington, one of the principal merchants of Philadelphia, happened to meet in the street with one Williams, a Painter, carrying home a picture. Struck by the beauty of the performance, he enquired if it was intended for sale, and being told that it was already disposed of, he ordered another to be painted for himself. When the painting was finished, he requested the Artist to carry it to Mr. Pennington's house, in order that it might be shewn to young West. It was very well executed, and the boy was so much astonished at the sight of it, that his emotion and surprise attracted the attention of Williams, who was a man of observation, and judged correctly in thinking that such an uncommon manifestation of sensibility in so young a boy, indicated something extraordinary in his character. He entered into conversation with him, and enquired if he had read any books, or the lives of great men, The little amateur told him that he had read the Bible, and was well acquainted with the history of Adam, Joseph, David, Solomon, and the other great and good men whose actions are recorded in the Holy Scriptures. Williams was much pleased with the simplicity of the answer; and it might have occurred to him that histories more interesting have never been written, or written so well. Turning to Mr. Pennington, who was present, he asked if Benjamin was his son; advising him at the same time to indulge him in whatever might appear to be the bent of his talents, assuring him that he was no common boy.
This interview was afterwards much spoken of by Williams, who in the mean time lent him the works of Fresnoy and Richardson on Painting, and invited him to see his pictures and drawings. The impression which these books made on the imagination of West finally decided his destination. He was allowed to carry them with him into the country; and his father and mother, soon perceiving a great change in his conversation, were referred to the books for an explanation of the cause. They read them for the first time themselves, and treasuring in their minds those anecdotes of the indications of the early symptoms of talent with which both works abound, they remembered the prophetic injunction of Edmund Peckover.
The effect of the enthusiasm inspired by Richardson and Fresnoy may be conceived from the following incident. Soon after the young Artist had returned to Springfield, one of his schoolfellows, on a Saturday's half holiday, engaged him to give up a party at trap-ball to ride with him to one of the neighbouring plantations. At the time appointed the boy came, with the horse saddled. West enquired how he was to ride; "Behind me," said the boy; but Benjamin, full of the dignity of the profession to which he felt himself destined, answered, that he never would ride behind any body. "O! very well then," said the good-natured boy, "you may take the saddle, and I will get up behind you." Thus mounted, they proceeded on their excursion; and the boy began to inform his companion that his father intended to send him to be an apprentice. "In what business?" enquired West; "A taylor," answered the boy. "Surely," said West, "you will never follow that trade;" animadverting upon its feminine character. The other, however, was a shrewd, sound-headed lad, and defended the election very stoutly, saying that his father had made choice of it for him, and that the person with whom he was to learn the business was much respected by all his neighbours. "But what do you intend to be, Benjamin?" West answered, that he had not thought at all on the subject, but he should like to be a painter. "A painter!" exclaimed the boy, "what sort of a trade is a painter? I never heard of such a thing." "A painter," said West, "is a companion for Kings and Emperors." "Surely you are mad," replied the boy, "for there are no such people in America." "Very true," answered Benjamin, "but there are plenty in other parts of the world." The other, still more amazed at the apparent absurdity of this speech, reiterated in a tone of greater surprise, "You are surely quite mad." To this the enthusiast replied by asking him if he really intended to be a taylor. "Most certainly," answered the other. "Then you may ride by yourself, for I will no longer keep your company," said West, and, alighting, immediately returned home.
The report of this incident, with the affair of the picture, which had occasioned his absence from school, and visit to Philadelphia, made a great impression on the boys in the neighbourhood of Springfield. All their accustomed sports were neglected, and their play-hours devoted to drawing with chalk and oker. The little president was confessedly the most expert among them, but he has often since declared, that, according to his recollection, many of his juvenile companions evinced a degree of taste and skill in this exercise, that would not have discredited the students of any regular academy.
Not far from the residence of Mr. West a cabinet-maker had a shop, in which Benjamin sometimes amused himself with the tools of the workmen. One day several large and beautiful boards of poplar tree were brought to it; and he happening to observe that they would answer very well for drawing on, the owner gave him two or three of them for that purpose, and he drew figures and compositions on them with ink, chalk, and charcoal. Mr. Wayne, a gentleman of the neighbourhood, having soon after occasion to call at his father's, noticed the boards in the room, and was so much pleased with the drawings, that he begged the young Artist to allow him to take two or three of them home, which, as but little value was set on them, was thought no great favour, either by the painter or his father. Next day Mr. Wayne called again, and after complimenting Benjamin on his taste and proficiency, gave him a dollar for each of the boards which he had taken away, and was resolved to preserve. Doctor Jonathan Moris, another neighbour, soon after, also made him a present of a few dollars to buy materials to paint with. These were the first public patrons of the Artist; and it is at his own request that their names are thus particularly inserted.
About twelve months after the visit to Philadelphia, Mr. Flower, one of the Justices of the county of Chester, who possessed some taste in painting, requested Mr. West to allow Benjamin to spend a few weeks at his house. A short time before, this gentleman had met with a severe domestic misfortune in the loss of a wife, to whom he was much attached; and he resolved to shew his respect to her memory by devoting his attention exclusively to the improvement of his children: for this purpose he had sent to England for a governess qualified to undertake the education of his daughters, and he had the good fortune to obtain a lady eminently fitted for the trust. She arrived a few days only before the young Artist, and her natural discernment enabled her to appreciate that original bias of mind which she had heard ascribed to him, and of which she soon perceived the determination and the strength. Finding him unacquainted with any other books than the Bible, and the works of Richardson and Fresnoy, she frequently invited him to sit with her pupils, and, during the intervals of their tasks, she read to him the most striking and picturesque passages from translations of the antient historians and poetry, of which Mr. Flower had a choice and extensive collection. It was from this intelligent woman that he heard, for the first time, of the Greeks and Romans; and the impression which the story of those illustrious nations made on his mind, was answerable to her expectations.
Among the acquaintance of Mr. Flower was a Mr. Ross, a lawyer in the town of Lancaster, a place at that time remarkable for its wealth, and which had the reputation of possessing the best and most intelligent society to be then found in America. It was chiefly inhabited by Germans, who of all people in the practice of emigrating, carry along with them the greatest stock of knowledge and accomplishments. The society of Lancaster, therefore, though it could not boast of any very distinguished character, yet comprehended many individuals who were capable of appreciating the merit of essays in art, and of discriminating the rude efforts of real genius from the more complete productions of mere mechanical skill. It was exactly in such a place that such a youth as Benjamin West was likely to meet with that flattering attention which is the best stimulus of juvenile talent. The wife of Mr. Ross was greatly admired for her beauty, and she had several children who were so remarkable in this respect as to be objects of general notice. One day when Mr. Flower was dining with them, he advised his friend to have their portraits taken; and mentioned that they would be excellent subjects for young West. Application was in consequence made to old Mr. West, and permission obtained for the little Artist to go to Lancaster for the purpose of taking the likenesses of Mrs. Ross and her family. Such was the success with which he executed this task, that the sphere of his celebrity was greatly enlarged; and so numerous were the applications for portraits, that it was with difficulty he could find time to satisfy the demands of his admirers.
Among those who sent to him in this early stage of his career, was a person of the name of William Henry. He was an able mechanic, and had acquired a handsome fortune by his profession of a gunsmith. Henry was, indeed, in several respects, an extraordinary man, and possessed the power generally attendant upon genius under all circumstances, that of interesting the imagination of those with whom he conversed. On examining the young Artist's performance, he observed to him, that, if he could paint as well, he would not waste his time on portraits, but would devote himself to historical subjects; and he mentioned the Death of Socrates as affording one of the best topics for illustrating the moral effect of the art of painting. The Painter knew nothing of the history of the Philosopher; and, upon confessing his ignorance, Mr. Henry went to his library, and, taking down a volume of the English translation of Plutarch, read to him the account given by that writer of this affecting story.
The suggestion and description wrought upon the imagination of West, and induced him to make a drawing, which he shewed to Mr. Henry, who commended it as a perspicuous delineation of the probable circumstances of the event, and requested him to paint it. West said that he would be happy to undertake the task, but, having hitherto painted only faces and men cloathed, he should be unable to do justice to the figure of the slave who presented the poison, and which he thought ought to be naked. Henry had among his workmen a very handsome young man, and, without waiting to answer the objection, he sent for him into the room. On his entrance he pointed him out to West, and said, "There is your model." The appearance of the young man, whose arms and breast were naked, instantaneously convinced the Artist that he had only to look into nature for the models which would impart grace and energy to his delineation of forms.
When the death of Socrates was finished, it attracted much attention, and led to one of those fortunate acquaintances by which the subsequent career of the Artist has been so happily facilitated. About this period the inhabitants of Lancaster had resolved to erect a public grammar-school; and Dr. Smith, the Provost of the College at Philadelphia, was invited by them to arrange the course of instruction, and to place the institution in the way best calculated to answer the intention of the founders. This gentleman was an excellent classical scholar, and combined with his knowledge and admiration of the merits of the antients that liberality of respect for the endeavours of modern talent, with which the same kind of feeling is but rarely found connected. After seeing the picture and conversing with the Artist, he offered to undertake to make him to a certain degree acquainted with classical literature; while at the same time he would give him such a sketch of the taste and character of the spirit of antiquity, as would have all the effect of the regular education requisite to a painter. When this liberal proposal was communicated to old Mr. West, he readily agreed that Benjamin should go for some time to Philadelphia, in order to take advantage of the Provost's instructions; and accordingly, after returning home for a few days, Benjamin went to the capital, and resided at the house of Mr. Clarkson, his brother-in-law, a gentleman who had been educated at Leyden, and was much respected for the intelligence of his conversation, and the propriety of his manners.