[263] See Perrot and Chipiez, op. cit., ii. p. 281, for summary of a report printed in the Graphic. Consult also Drummond, Travels ... to the Banks of the Euphrates (1754), p. 209; and Maundrell (Hy.), A Journey ... to the Banks of the Euphrates (Oxford), 1749.
[264] See [p. 263]; and cf. [Pl. LXV.] (Iasily Kaya), [Pl. LXXIX.] (Sakje-Geuzi), and [Pl. XLII.] (Marash). For a discussion of the motive in general, see Ausgrabungen in Sendschirli, cit., p. 270, note 1.
[265] As represented by Perrot and Chipiez, Art in ... Asia Minor, ii. p. 62, fig. 276. For the photo from which we write we are indebted to the courtesy of the Mission at Cæsarea. This object is illustrated by an ill-printed photograph in Sayce’s The Hittites, to face p. 58, where it is described by oversight as from Marash.
[266] British Museum, Guide to Babylonian and Assyrian Antiquities, p. 27, No. 3; Perrot and Chipiez, Art in ... Asia Minor, ii., fig. 277; Messerschmidt, C.I.H. (1900), Pl. XII. A photograph in Ball, Light from the East, p. 142.
[267] Cf. also the sculpture found at Sakje-Geuzi, [Pl. LXXX.]; and Liv. Annals Arch., 1908 (4), Pl. XLI., No. 2, where the deity has four wings.
[268] Cf. the sculptures of Bor, [Pl. LVI.]; and Ivrîz, [Pl. LVII.]
[269] C.I.H., 1900, Pl. X.; British Museum Guide, cit., p. 27, No. 8. Rendering by Sayce in Proc. S.B.A., 1905, Nov., p. 201, beginning ‘the dirk-bearer of Carchemish.’ The repetition of the geographical word Kar-ka-me-is (Assyrian Gargamis) is a remarkable corroboration of Professor Sayce’s system of translation.
[270] Cf. for this feature the Bor sculpture, [Pl. LVI.]
[271] On the importance of this detail as a criterion, see [p. 379].
[272] Boscawen in the Graphic, Dec. 11, 1880; Perrot and Chipiez, op. cit., ii., Additions, fig. 390; C.I.H. (1900), Pl. XV. 13, and Text, p. 12.