[303] Cf. the winged deity of Boghaz-Keui (Iasily Kaya), No. 5 L., [p. 216].

[304] For the types of vases cf. the Syrian tribute in Maspero, The Struggle of the Nations, p. 263; and especially the Hittite tribute, temp. Akhenaten, published by Davies, El Amarna II., Pl. XL., and p. 41; cf. also the oblation scenes of Eyuk (k., [p. 268]), and of Fraktin, [Pl. XLVII.]

[305] On the question of date, see [p. 339].

[306] See pp. [277], [301].

[307] Recueil de Travaux, xv. p. 27, Pt. iv.

[308] Ramsay and Hogarth, Recueil de Travaux, xv. Pl. III., Constantinople Museum, No. 1215 (630); Messerschmidt, C.I.H. (1900), Pl. XX., and revised copy, 1906, Pl. XX.

[309] Cf. Journal of Hellenic Studies, vol. xii. Pl. IX.

[310] Hogarth, loc. cit., p. 31.

[311] Vorderasiat. Mus., Berlin, No. 2882, Ausgrabungen in Sendschirli, i. (Mitt. aus den Orient. Sammlungen, 1893, Berlin, Heft xi.), Pl. VI.

[312] Messerschmidt, C.I.H. (1906), p. 13. The base of the statue appears to be a survival of the columnar bases of Sinjerli and Sakje-Geuzi ([Pl. LXXXII.]), in the design of which two sphinxes support the drum of the column upon their backs. In this case the design is modified, but retains striking features surviving from the older prototype. The sphinxes are replaced by lions, in the style of the corner-stone lions of Sinjerli (Ausgrabungen in Sendschirli, iii., Pl. XLVII.), and between their fore-parts there appears the figure of a man carved in relief. He is in a crouching attitude, dictated probably by the small space at the sculptor’s disposal; his hands are stretched out to the collars of lions on either side; his face is shown in full, with square-cut ridged beard, and a curl of hair prominent on either side of his head, attached clearly to a wig. His dress is a short fringed tunic and short-sleeved vest; a belt is round his waist, to which a dagger is attached. His legs are turned towards his left; upon his feet there seem to be bands or anklets, possibly to bind on his footgear. Though no shoe is visible, the toes are prominently upturned. It is a striking object. The rim of the drum is not decorated in any way, but on the top there is a large square-cut socket, corresponding to the tongue upon the bottom of the statue. (Orig. Consple. Mus., No. 1519.)