H₂. Harleian 3869, Brit. Museum. Contains the same as F, with some religious poems in a different hand on blanks at the beginning and end. Paper, except outer leaves of each quire, ff. 368 (including four leaves at the beginning and two at the end with religious poems as above mentioned), 11¼ × 7½ in., in quires of 16 (usually), with signatures, first quire beginning f. 5 and having 14 leaves. Written in single column of 38-50 lines, rather irregularly. Latin summaries in margin (red). On f. 5 at the beginning of the Confessio Amantis a large picture of Nebuchadnezzar’s dream, like that in F, on f. 8 an ill-painted picture of the Confession.

On f. 1 we find written ‘London ye 28 Jany. 1628, George Cogiluy,’ and on f. 2 ‘Jan. 22. 1721 Oxford’ (i.e. Harley). On the same page is the date, ‘1445 ye 23 of May.’

This MS. appears to be copied directly from F, and gives an excellent text, reproducing that of the Fairfax MS. with considerable accuracy, and for the most part copying also its mistakes and peculiarities, as Prol. 80 officie, 249 wich, 419 com, 588 sende, 592 befalle, 668 marg. diminuntur, 723 chiualrie, 1078 waxed, i. 120 wisshide, 160 scheo, 227 beleft, 234 sone sone, 335 whilon, 1626 vnsemylieste, 2511 Embroudred, ii. 352 Ennvie, Lat. after 382 infamen, 710 hiere, 949 þong, 1169 no, 1441 keste, 1539 om. the, and so on. Some obvious mistakes are corrected, however, as Prol. 370, i. 1257, 2105, 3357, ii. 117.

N. New College, Oxf. 266 (Bern. Cat. i. 2. 1230). Confessio Amantis with ‘Explicit’ (six lines) and ‘Quam cinxere.’ Parchment, ff. 183 (originally 187), 13¼ × 9 in., quires of 8 (one of 10 and the last 9) with catchwords. Well written in double column of 46 lines usually, sometimes more, first quarter fifteenth cent. Latin summaries in margin. Many floreated pages (half borders) and illuminated capitals, well executed. Also a large number of miniatures, of which some have been cut out and others much damaged.

The first two leaves are damaged, and four leaves have been cut out, viz. the original f. 7 (Prol. 1066-i. 106), f. 35 (ii. 1521-1704), f. 74 (iv. 2229-2397) and f. 113 (v. 5505-5662), also the outer half of f. 171 (viii. 271-318) and several miniatures with text at the back.

The name of John Cutt of Schenley, Hertfordshire, appears in the book (late fifteenth cent.), and on the first leaf ‘Thomæ Martin Liber,’ perhaps the Thomas Martin who was Fellow of New College 1538-1553, and died in 1584. The binding of old black leather has stamped upon it the letters W. D., with a double-headed eagle crowned.

This book seems to be derived from F, though perhaps not immediately. The orthography is like that of F, but differs in some points, as ‘shal,’ ‘she,’ &c., for ‘schal,’ ‘sche,’ ‘noht’ for ‘noght,’ besides being very uncertain about final e, often to the destruction of the metre. As examples of particular correspondence with F we may note Prol. 370 argumeten, 588 send, 592 befalle, 723 chiualrie, 957 mistormeth, i. 120 wisshide, 227 beleft, 234 sone sone, 1036 be shrewed, 3357 seled, ii. 318 ff. fela, felaw, felawh (varying as F), after 382 infamen, &c., but sometimes F is corrected in small matters, as Prol. 201 erthly, 249 which, 280 pacience, i. 110 to fare, &c.

The feature of the book is the series of miniatures, illustrating it throughout. In this respect it is unique, so far as I know; though other copies similarly illustrated must once have existed. The following is a complete list of the subjects (leaves cited by original number): f. 15 (i. 1417) Florent and the old woman, f. 18 (i. 2021) man blowing trumpet, lord, wife, and five children looking out of a castle, f. 23 (i. 2785) cut out, f. 34 (i. 3067) cut out and sewn in, much damaged, f. 30 (ii. 587) cut out, f. 44 (ii. 3187) mothers bringing babies to Constantine, f. 56 (iii. 1885) Clytemnestra torn by horses, two crowned persons conversing in the foreground, f. 59 (iii. 2363) Pirate brought before Alexander, f. 61 (iv. 1) Dido killing herself, Eneas riding away, f. 68 (iv. 1245) lady with halters and red bridle questioned by Rosiphelee, f. 71 (iv. 1815) cut out, f. 72 (iv. 2045) fight between Hercules and Achelous, f. 77 (iv. 2927) Alceone in bed dreaming, body of king in the water, f. 83 (v. 141) Midas at table, f. 93 (v. 2031) Crassus having gold poured down his throat, f. 94 (v. 2273) king opening coffers, f. 95 (v. 2391) cut out, f. 96 (v. 2643) cut out, f. 98 (v. 2961) almost defaced, f. 100 (v. 3247) cut out, f. 109 (v. 4937) Bardus pulling Adrian out of the pit, f. 111 (v. 5231) Ariadne left sleeping, ship sailing away, f. 117 (v. 6225) a procession of naked nymphs to bathe, f. 120 (v. 6807) cut out, f. 133 (vi. 1391) Telegonus supporting his father’s head, guards lying dead, f. 136 (vi. 1789) cut out, f. 150 (vii. 1783) cut out, f. 158 (vii. 3417) cut out, f. 159 (vii. 3627) Gideon and his men blowing trumpets, &c., enemy asleep in a tent, f. 165 (vii. 4593) cut out, f. 171 (viii. 271 ff.) half the page cut away, with probably three miniatures, for only 52 lines are gone, whereas there was space for 92.

K. Keswick Hall, near Norwich, in the possession of J. H. Gurney, Esq., who most kindly sent it to Oxford for my use. Contains the same as F, but is slightly imperfect at the end. Parchment, ff. 189, 13 × 9¾ in., quires of 8 with catchwords. Well written in double column of 46 lines (corresponding column for column with F throughout), apparently in six different hands, of which the first wrote quires 1, 2, 6, 8-11, 21, the second 3 and perhaps 7, the third 4, 5, 16, 17, the fourth 12-15, 19, the fifth 18, and the sixth 20, 22-24. Latin summaries in the margin (sometimes omitted). Three leaves are lost in the seventh quire (iii. 1087-1632), and one at the end, containing the last thirteen lines of the Latin Carmen de multiplici, &c., with probably the account of the books and the piece ‘Eneidos, Bucolis.’ A floreated initial to each book, and space left for miniatures on ff. 1 and 7. Old stamped leather binding.

Former possessors, Thomas Stone ‘of Bromsberrowe in the County of Glouc.’, Henry Harman, William Mallowes (Q. Elizabeth’s reign?), John Feynton.