"'Were partly vexed with monstrous apparitions, and partly fainted; for a sudden fear and not looked for, came upon them.'
"'For neither might the corner which held them keep them from fear; but noises, as of waters falling down, sounded about them, and sad visions appeared unto them, with heavy countenances.
"'Whether it were a whistling wind, or a melodious voice of birds among the spreading branches, or a pleasing fall of water running violently;
"'Or, a terrible sound of stones cast down, or, a running that could not be seen, of skipping beasts, or a roaring voice of most savage wild beasts, or a rebounding echo from the hollow mountains: these things made them to swoon for fear.'—(Wisdom of Solomon, chapter xvii.)
"That creative faculty of the eye, upon which Mr. De Quincey dwells so strongly, I have myself experienced. Indeed, it has been the principal cause of suffering which has connected itself with my habit of opium eating. It developed itself at first in a recurrence of the childish faculty of painting upon the darkness whatever suggested itself to the mind; anon, those figures which had before been called up only at will became the cause, instead of the effect, of the mind's employment; in other words, they came before me in the night-time, like real images, and independent of any previous volition of thought. I have often, after retiring to my bed, seen, looking through the thick wall of darkness round about me, the faces of those whom I had not known for years, nay, since childhood; faces, too, of the dead, called up, as it were, from the church-yard and the wilderness and the deep waters, and betraying nothing of the grave's terrible secrets. And in the same way, some of the more important personages I had read of, in history and romance, glided often before me, like an assembly of apparitions, each preserving, amidst the multitudinous combinations of my visions, his own individuality and peculiar characteristics.—(Vide Emanuel Count Swedenborg, Nicolai of Berlin's Account of Spectral Illusion, Edinburgh Phrenological Journal.)
"These images were, as you may suppose, sufficiently annoying, yet they came and went without exciting any emotions of terror. But a change at length came over them, an awful distinctness and a semblance of reality, which, operating upon nerves weakened and diseased, shook the very depths of my spirit with a superstitious awe, and against which reason and philosophy, for a time, struggled in vain.
"My mind had for some days been dwelling with considerable solicitude upon an intimate friend, residing in a distant city. I had heard that he was extremely ill, indeed, that his life was despaired of; and I may mention that at this period all my mind's operations were dilatory; there were no sudden emotions; passion seemed exhausted; and when once any new train of thought had been suggested, it gradually incorporated itself with those which had preceded it, until it finally became sole and predominant, just as certain plants of the tropical islands wind about and blend with and finally take the place of those of another species. And perhaps to this peculiarity of the mental economy, the gradual concentring of the mind in a channel, narrowing to that point of condensation where thought becomes sensible to sight as well as feeling, may be mainly attributed the vision I am about to describe.
"I was lying in my bed, listless and inert; it was broad day, for the easterly light fell in strongly through the parted curtains. I felt, all at once, a strong curiosity, blended with an unaccountable dread, to look upon a small table which stood near the bedside. I felt certain of seeing something fearful, and yet I knew not what; there was an awe and a fascination upon me, more dreadful from their very vagueness. I lay for some time hesitating and actually trembling, until the agony of suspense became too strong for endurance. I opened my eyes and fixed them upon the dreaded object. Upon the table lay what seemed to me a corpse, wrapped about in the wintry habiliments of the grave, the corpse of my friend.
(William Hone, celebrated for his antiquarian researches, has given
a distinct and highly interesting account of spectral illusion, in
his own experience, in his Every Day Book. The artist Cellini has
made a similar statement.)
"For a moment, the circumstances of time and place were forgotten; and the spectre seemed to me a natural reality, at which I might sorrow, but not wonder. The utter fallacy of this idea was speedily detected; and then I endeavored to consider the present vision, like those which had preceded it, a mere delusion, a part of the phenomena of opium eating. I accordingly closed my eyes for an instant, and then looked again in full expectation that the frightful object would no longer be visible. It was still there; the body lay upon its side; the countenance turned full towards me,—calm, quiet, even beautiful, but certainly that of death: