Francesca Alexander, whose pen and pencil have so reverently transcribed the simple faith and life of the Italian peasantry, wrote the narrative published with John Ruskin's introduction under the title, The Story of Ida.
Weary of jangling noises never stilled,
The skeptic's sneer, the bigot's hate, the din
Of clashing texts, the webs of creed men spin
Round simple truth, the children grown who build
With gilded cards their new Jerusalem,
Busy, with sacerdotal tailorings
And tinsel gauds, bedizening holy things,
I turn, with glad and grateful heart, from them
To the sweet story of the Florentine
Immortal in her blameless maidenhood,
Beautiful as God's angels and as good;
Feeling that life, even now, may be divine
With love no wrong can ever change to hate,
No sin make less than all-compassionate!
1884.
THE LIGHT THAT IS FELT.
A tender child of summers three,
Seeking her little bed at night,
Paused on the dark stair timidly.
"Oh, mother! Take my hand," said she,
"And then the dark will all be light."
We older children grope our way
From dark behind to dark before;
And only when our hands we lay,
Dear Lord, in Thine, the night is day,
And there is darkness nevermore.
Reach downward to the sunless days
Wherein our guides are blind as we,
And faith is small and hope delays;
Take Thou the hands of prayer we raise,
And let us feel the light of Thee!
1884.
THE TWO LOVES
Smoothing soft the nestling head
Of a maiden fancy-led,
Thus a grave-eyed woman said:
"Richest gifts are those we make,
Dearer than the love we take
That we give for love's own sake.
"Well I know the heart's unrest;
Mine has been the common quest,
To be loved and therefore blest.