Above the fallen groves of green,
Where youth's enchanted forest stood,
Dry root and mossed trunk between,
A sober after-growth is seen,
As springs the pine where falls the gay-leafed maple wood!
Yet birds will sing, and breezes play
Their leaf-harps in the sombre tree;
And through the bleak and wintry day
It keeps its steady green alway,—
So, even my after-thoughts may have a charm for thee.
Art's perfect forms no moral need,
And beauty is its own excuse;
But for the dull and flowerless weed
Some healing virtue still must plead,
And the rough ore must find its honors in its use.
So haply these, my simple lays
Of homely toil, may serve to show
The orchard bloom and tasselled maize
That skirt and gladden duty's ways,
The unsung beauty hid life's common things below.
Haply from them the toiler, bent
Above his forge or plough, may gain,
A manlier spirit of content,
And feel that life is wisest spent
Where the strong working hand makes strong the
working brain.
The doom which to the guilty pair
Without the walls of Eden came,
Transforming sinless ease to care
And rugged toil, no more shall bear
The burden of old crime, or mark of primal shame.
A blessing now, a curse no more;
Since He, whose name we breathe with awe,
The coarse mechanic vesture wore,
A poor man toiling with the poor,
In labor, as in prayer, fulfilling the same law.
1850.
THE SHOEMAKERS.
Ho! workers of the old time styled
The Gentle Craft of Leather
Young brothers of the ancient guild,
Stand forth once more together!
Call out again your long array,
In the olden merry manner
Once more, on gay St. Crispin's day,
Fling out your blazoned banner!
Rap, rap! upon the well-worn stone
How falls the polished hammer
Rap, rap I the measured sound has grown
A quick and merry clamor.
Now shape the sole! now deftly curl
The glossy vamp around it,
And bless the while the bright-eyed girl
Whose gentle fingers bound it!