The Inner Life / Part 3 from The Works of John Greenleaf Whittier, Volume VII

by John Greenleaf Whittier

To use the language of one of its reviewers in the Scottish press:—

"Beauty there is in the book; exquisite glimpses into the loveliness of nature here and there shine out from its lines,—a charm wanting which meditative writing always seems to have a defect; beautiful gleams, too, there are of the choicest things of art, and frequent allusions by the way to legend or picture of the religious past; so that, while you read, you wander by a clear brook of thought, coining far from the beautiful hills, and winding away from beneath the sunshine of gladness and beauty into the dense, mysterious forest of human existence, that loves to sing, amid the shadow of human darkness and anguish, its music of heavenborn consolation; bringing, too, its pure waters of cleansing and healing, yet evermore making its praise of holy affection and gladness; while it is still haunted by the spirits of prophet, saint, and poet, repeating snatches of their strains, and is led on, as by a spirit from above, to join the great river of God's truth. . . .

"This is a book for Christian men, for the quiet hour of holy solitude, when the heart longs and waits for access to the presence of the Master. The weary heart that thirsts amidst its conflicts and its toils for refreshing water will drink eagerly of these sweet and refreshing words. To thoughtful men and women, especially such as have learnt any of the patience of hope in the experiences of sorrow and trial, we commend this little volume most heartily and earnestly."

The Patience of Hope fell into my hands soon after its publication in Edinburgh, some two years ago. I was at once impressed by its extraordinary richness of language and imagery,—its deep and solemn tone of meditation in rare combination with an eminently practical tendency,— philosophy warm and glowing with love. It will, perhaps, be less the fault of the writer than of her readers, if they are not always able to eliminate from her highly poetical and imaginative language the subtle metaphysical verity or phase of religious experience which she seeks to express, or that they are compelled to pass over, without appropriation, many things which are nevertheless profoundly suggestive as vague possibilities of the highest life. All may not be able to find in some of her Scriptural citations the exact weight and significance so apparent to her own mind. She startles us, at times, by her novel applications of familiar texts, by meanings reflected upon them from her own spiritual intuitions, making the barren Baca of the letter a well. If the rendering be questionable, the beauty and quaint felicity of illustration and comparison are unmistakable; and we call to mind Augustine's saying, that two or more widely varying interpretations of Scripture may be alike true in themselves considered. "When one saith, Moses meant as I do,' and another saith, 'Nay, but as I do,' I ask, more reverently, 'Why not rather as both, if both be true?"

Some minds, for instance, will hesitate to assent to the use of certain Scriptural passages as evidence that He who is the Light of men, the Way and the Truth, in the mystery of His economy, designedly "delays, withdraws, and even hides Himself from those who love and follow Him." They will prefer to impute spiritual dearth and darkness to human weakness, to the selfishness which seeks a sign for itself, to evil imaginations indulged, to the taint and burden of some secret sin, or to some disease and exaggeration of the conscience, growing out of bodily infirmity, rather than to any purpose on the part of our Heavenly Father to perplex and mislead His children. The sun does not shine the less because one side of our planet is in darkness. To borrow the words of Augustine "Thou, Lord, forsakest nothing thou hast made. Thou alone art near to those even who remove far from thee. Let them turn and seek thee, for not as they have forsaken their Creator hast thou forsaken thy creation." It is only by holding fast the thought of Infinite Goodness, and interpreting doubtful Scripture and inward spiritual experience by the light of that central idea, that we can altogether escape the dreadful conclusion of Pascal, that revelation has been given us in dubious cipher, contradictory and mystical, in order that some, through miraculous aid, may understand it to their salvation, and others be mystified by it to their eternal loss.

I might mention other points of probable divergence between reader and writer, and indicate more particularly my own doubtful parse and hesitancy over some of these pages. But it is impossible for me to make one to whom I am so deeply indebted an offender for a word or a Scriptural rendering. On the grave and awful themes which she discusses, I have little to say in the way of controversy. I would listen, rather than criticise. The utterances of pious souls, in all ages, are to me often like fountains in a thirsty land, strengthening and refreshing, yet not without an after-taste of human frailty and inadequateness, a slight bitterness of disappointment and unsatisfied quest. Who has not felt at times that the letter killeth, that prophecies fail, and tongues cease to edify, and been ready to say, with the author of the Imitation of Christ: "Speak, Lord, for thy servant heareth. Let not Moses nor the prophets speak to me, but speak thou rather, who art the Inspirer and Enlightener of all. I am weary with reading and hearing many things; let all teachers hold their peace; let all creatures keep silence: speak thou alone to me."

The writer of The Patience of Hope had, previous to its publication, announced herself to a fit, if small, audience of earnest and thoughtful Christians, in a little volume entitled, A Present Heaven. She has recently published a collection of poems, of which so competent a judge as Dr. Brown, the author of Horae Subsecivae and Rab and his Friends, thus speaks, in the North British Review:—

"Such of our readers—a fast increasing number—as have read and enjoyed The Patience of Hope, listening to the gifted nature which, through such deep and subtile thought, and through affection and godliness still deeper and more quick, has charmed and soothed them, will not be surprised to learn that she is not only poetical, but, what is more, a poet, and one as true as George Herbert and Henry Vaughan, or our own Cowper; for, with all our admiration of the searching, fearless speculation, the wonderful power of speaking clearly upon dark and all but unspeakable subjects, the rich outcome of 'thoughts that wander through eternity,' which increases every time we take up that wonderful little book, we confess we were surprised at the kind and the amount of true poetic vis in these poems, from the same fine and strong hand. There is a personality and immediateness, a sort of sacredness and privacy, as if they were overheard rather than read, which gives to these remarkable productions a charm and a flavor all their own. With no effort, no consciousness of any end but that of uttering the inmost thoughts and desires of the heart, they flow out as clear, as living, as gladdening as the wayside well, coming from out the darkness of the central depths, filtered into purity by time and travel. The waters are copious, sometimes to overflowing; but they are always limpid and unforced, singing their own quiet tune, not saddening, though sometimes sad, and their darkness not that of obscurity, but of depth, like that of the deep sea.

"This is not a book to criticise or speak about, and we give no extracts from the longer, and in this case, we think, the better poems. In reading this Cardiphonia set to music, we have been often reminded, not only of Herbert and Vaughan, but of Keble,—a likeness of the spirit, not of the letter; for if there is any one poet who has given a bent to her mind, it is Wordsworth,—the greatest of all our century's poets, both in himself and in his power of making poets."

In the belief that whoever peruses the following pages will be sufficiently interested in their author to be induced to turn back and read over again, with renewed pleasure, extracts from her metrical writings, I copy from the volume so warmly commended a few brief pieces and extracts from the longer poems.