"The slandered Calvinists of Charles's time,
Who fought, and won it, Freedom's holy fight,"
stands the subject of our sketch, the Tinker of Elstow. Of his high merit as an author there is no longer any question. The Edinburgh Review expressed the common sentiment of the literary world, when it declared that the two great creative minds of the seventeenth century were those which produced Paradise Lost and the Pilgrim's Progress.
THOMAS ELLWOOD.
Commend us to autobiographies! Give us the veritable notchings of Robinson Crusoe on his stick, the indubitable records of a life long since swallowed up in the blackness of darkness, traced by a hand the very dust of which has become undistinguishable. The foolishest egotist who ever chronicled his daily experiences, his hopes and fears, poor plans and vain reachings after happiness, speaking to us out of the Past, and thereby giving us to understand that it was quite as real as our Present, is in no mean sort our benefactor, and commands our attention, in spite of his folly. We are thankful for the very vanity which prompted him to bottle up his poor records, and cast them into the great sea of Time, for future voyagers to pick up. We note, with the deepest interest, that in him too was enacted that miracle of a conscious existence, the reproduction of which in ourselves awes and perplexes us. He, too, had a mother; he hated and loved; the light from old-quenched hearths shone over him; he walked in the sunshine over the dust of those who had gone before him, just as we are now walking over his. These records of him remain, the footmarks of a long-extinct life, not of mere animal organism, but of a being like ourselves, enabling us, by studying their hieroglyphic significance, to decipher and see clearly into the mystery of existence centuries ago. The dead generations live again in these old self-biographies. Incidentally, unintentionally, yet in the simplest and most natural manner, they make us familiar with all the phenomena of life in the bygone ages. We are brought in contact with actual flesh-and-blood men and women, not the ghostly outline figures which pass for such, in what is called History. The horn lantern of the biographer, by the aid of which, with painful minuteness, he chronicled, from day to day, his own outgoings and incomings, making visible to us his pitiful wants, labors, trials, and tribulations of the stomach and of the conscience, sheds, at times, a strong clear light upon contemporaneous activities; what seemed before half fabulous, rises up in distinct and full proportions; we look at statesmen, philosophers, and poets, with the eyes of those who lived perchance their next-door neighbors, and sold them beer, and mutton, and household stuffs, had access to their kitchens, and took note of the fashion of their wigs and the color of their breeches. Without some such light, all history would be just about as unintelligible and unreal as a dimly remembered dream.
The journals of the early Friends or Quakers are in this respect invaluable. Little, it is true, can be said, as a general thing, of their literary merits. Their authors were plain, earnest men and women, chiefly intent upon the substance of things, and having withal a strong testimony to bear against carnal wit and outside show and ornament. Yet, even the scholar may well admire the power of certain portions of George Fox's Journal, where a strong spirit clothes its utterance in simple, downright Saxon words; the quiet and beautiful enthusiasm of Pennington; the torrent energy of Edward Burrough; the serene wisdom of Penn; the logical acuteness of Barclay; the honest truthfulness of Sewell; the wit and humor of John Roberts, (for even Quakerism had its apostolic jokers and drab-coated Robert Halls;) and last, not least, the simple beauty of Woolman's Journal, the modest record of a life of good works and love.
Let us look at the Life of Thomas Ellwood. The book before us is a hardly used Philadelphia reprint, bearing date of 1775. The original was published some sixty years before. It is not a book to be found in fashionable libraries, or noticed in fashionable reviews, but is none the less deserving of attention.
Ellwood was born in 1639, in the little town of Crowell, in Oxfordshire. Old Walter, his father, was of "gentlemanly lineage," and held a commission of the peace under Charles I. One of his most intimate friends was Isaac Pennington, a gentleman of estate and good reputation, whose wife, the widow of Sir John Springette, was a lady of superior endowments. Her only daughter, Gulielma, was the playmate and companion of Thomas. On making this family a visit, in 1658, in company with his father, he was surprised to find that they had united with the Quakers, a sect then little known, and everywhere spoken against. Passing through the vista of nearly two centuries, let us cross the threshold, and look with the eyes of young Ellwood upon this Quaker family. It will doubtless give us a good idea of the earnest and solemn spirit of that age of religious awakening.
"So great a change from a free, debonair, and courtly sort of behavior, which we had formerly found there, into so strict a gravity as they now received us with, did not a little amuse us, and disappointed our expectations of such a pleasant visit as we had promised ourselves.
"For my part, I sought, and at length found, means to cast myself into the company of the daughter, whom I found gathering flowers in the garden, attended by her maid, also a Quaker. But when I addressed her after my accustomed manner, with intention to engage her in discourse on the foot of our former acquaintance, though she treated me with a courteous mien, yet, as young as she was, the gravity of her looks and behavior struck such an awe upon me, that I found myself not so much master of myself as to pursue any further converse with her.