It was Thomas Story, a minister of the Society of Friends, and member of Penn's Council of State, who, while on a religious visit to England, wrote to James Logan that he had read on the stratified rocks of Scarborough, as from the finger of God, proofs of the immeasurable age of our planet, and that the "days" of the letter of Scripture could only mean vast spaces of time.
May Haverford emulate the example of these brave but reverent men, who, in investigating nature, never lost sight of the Divine Ideal, and who, to use the words of Fenelon, "Silenced themselves to hear in the stillness of their souls the inexpressible voice of Christ." Holding fast the mighty truth of the Divine Immanence, the Inward Light and Word, a Quaker college can have no occasion to renew the disastrous quarrel of religion with science. Against the sublime faith which shall yet dominate the world, skepticism has no power. No possible investigation of natural facts; no searching criticism of letter and tradition can disturb it, for it has its witness in all human hearts.
That Haverford may fully realize and improve its great opportunities as an approved seat of learning and the exponent of a Christian philosophy which can never be superseded, which needs no change to fit it for universal acceptance, and which, overpassing the narrow limits of sect, is giving new life and hope to Christendom, and finding its witnesses in the Hindu revivals of the Brahmo Somaj and the fervent utterances of Chunda Sen and Mozoomdar, is the earnest desire of thy friend.
CRITICISM
EVANGELINE
A review of Mr. Longfellow's poem.
EUREKA! Here, then, we have it at last,—an American poem, with the lack of which British reviewers have so long reproached us. Selecting the subject of all others best calculated for his purpose,—the expulsion of the French settlers of Acadie from their quiet and pleasant homes around the Basin of Minas, one of the most sadly romantic passages in the history of the Colonies of the North,—the author has succeeded in presenting a series of exquisite pictures of the striking and peculiar features of life and nature in the New World. The range of these delineations extends from Nova Scotia on the northeast to the spurs of the Rocky Mountains on the west and the Gulf of Mexico on the south. Nothing can be added to his pictures of quiet farm-life in Acadie, the Indian summer of our northern latitudes, the scenery of the Ohio and Mississippi Rivers, the bayous and cypress forests of the South, the mocking-bird, the prairie, the Ozark hills, the Catholic missions, and the wild Arabs of the West, roaming with the buffalo along the banks of the Nebraska. The hexameter measure he has chosen has the advantage of a prosaic freedom of expression, exceedingly well adapted to a descriptive and narrative poem; yet we are constrained to think that the story of Evangeline would have been quite as acceptable to the public taste had it been told in the poetic prose of the author's Hyperion.
In reading it and admiring its strange melody we were not without fears that the success of Professor Longfellow in this novel experiment might prove the occasion of calling out a host of awkward imitators, leading us over weary wastes of hexameters, enlivened neither by dew, rain, nor fields of offering.
Apart from its Americanism, the poem has merits of a higher and universal character. It is not merely a work of art; the pulse of humanity throbs warmly through it. The portraits of Basil the blacksmith, the old notary, Benedict Bellefontaine, and good Father Felician, fairly glow with life. The beautiful Evangeline, loving and faithful unto death, is a heroine worthy of any poet of the present century.