Yankee Gypsies

by John Greenleaf Whittier

"Oh, well, I thought I knew ye," he answers, not the least disconcerted. "How do you do? and how's your folks? All well, I hope. I took this 'ere paper, you see, to help a poor furriner, who could n't make himself understood any more than a wild goose. I though I'd just start him for'ard a little. It seemed a marcy to do it."

Well and shiftily answered, thou ragged Proteus. One cannot be angry with such a fellow. I will just inquire into the present state of his Gospel mission and about the condition of his tribe on the Penobscot; and it may be not amiss to congratulate him on the success of the steam-doctors in sweating the "pisen" of the regular faculty out of him. But he evidently has no wish to enter into idle conversation. Intent upon his benevolent errand he is already clattering down stairs. Involuntarily I glance out of the window just in season to catch a single glimpse of him ere he is swallowed up in the mist.

He has gone; and, knave as he is, I can hardly help exclaiming, "Luck go with him!" He has broken in upon the sombre train of my thoughts and called up before me pleasant and grateful recollections. The old farm-house nestling in its valley; hills stretching off to the south and green meadows to the east; the small stream which came noisily down its ravine, washing the old garden-wall and softly lapping on fallen stones and mossy roots of beeches and hemlocks; the tall sentinel poplars at the gateway; the oak-forest, sweeping unbroken to the northern horizon; the grass-grown carriage-path, with its rude and crazy bridge,—the dear old landscape of my boyhood lies outstretched before me like a daguerreotype from that picture within, which I have borne with me in all my wanderings. I am a boy again, once more conscious of the feeling, half terror, half exultation, with which I used to announce the approach of this very vagabond and his "kindred after the flesh."

The advent of wandering beggars, or "old stragglers," as we were wont to call them, was an event of no ordinary interest in the generally monotonous quietude of our farm-life. Many of them were well known; they had their periodical revolutions and transits; we would calculate them like eclipses or new moons. Some were sturdy knaves, fat and saucy; and, whenever they ascertained that the "men folks" were absent, would order provisions and cider like men who expected to pay for them, seating themselves at the hearth or table with the air of Falstaff,—"Shall I not take mine ease in mine inn?" Others, poor, pale, patient, like Sterne's monk,(1) came creeping up to the door, hat in hand, standing there in their gray wretchedness with a look of heartbreak and forlornness which was never without its effect on our juvenile sensibilities. At times, however, we experienced a slight revulsion of feeling when even these humblest children of sorrow somewhat petulantly rejected our proffered bread and cheese, and demanded instead a glass of cider. Whatever the temperance society might in such cases have done, it was not in our hearts to refuse the poor creatures a draught of their favorite beverage; and was n't it a satisfaction to see their sad, melancholy faces light up as we handed them the full pitcher, and, on receiving it back empty from their brown, wrinkled hands, to hear them, half breathless from their long, delicious draught, thanking us for the favor, as "dear, good children"! Not unfrequently these wandering tests of our benevolence made their appearance in interesting groups of man, woman, and child, picturesque in their squalidness, and manifesting a maudlin affection which would have done honor to the revellers at Poosie-Nansie's, immortal in the cantata of Burns. (2) I remember some who were evidently the victims of monomania,—haunted and hunted by some dark thought,—possessed by a fixed idea. One, a black-eyed, wild-haired woman, with a whole tragedy of sin, shame, and suffering written in her countenance, used often to visit us, warm herself by our winter fire, and supply herself with a stock of cakes and cold meat; but was never known to answer a question or to ask one. She never smiled; the cold, stony look of her eye never changed; a silent, impassive face, frozen rigid by some great wrong or sin. We used to look with awe upon the "still woman," and think of the demoniac of Scripture who had a "dumb spirit."

(1) Whom he met at Calais, as described in his Sentimental
Journey. (2) The cantata is The Jolly Beggars, from which the
motto heading this sketch was taken. Poosie-Nansie was the
keeper of a tavern in Mauchline, which was the favorite resort
of the lame sailors, maimed soldiers, travelling ballad-singers,
and all such loose companions as hang about the skirts of
society. The cantata has for its theme the rivalry of a "pigmy
scraper with his fiddle" and a strolling tinker for a beggar
woman: hence the maudlin affection.

One—I think I see him now, grim, gaunt, and ghastly, working his slow way up to our door—used to gather herbs by the wayside and called himself doctor. He was bearded like a he-goat, and used to counterfeit lameness; yet, when he supposed himself alone, would travel on lustily, as if walking for a wager. At length, as if in punishment of his deceit, he met with an accident in his rambles and became lame in earnest, hobbling ever after with difficulty on his gnarled crutches. Another used to go stooping, like Bunyan's pilgrim, under a pack made of an old bed-sacking, stuffed out into most plethoric dimensions, tottering on a pair of small, meagre legs, and peering out with his wild, hairy face from under his burden like a big-bodied spider. That "man with the pack" always inspired me with awe and reverence. Huge, almost sublime, in its tense rotundity, the father of all packs, never laid aside and never opened, what might there not be within it? With what flesh-creeping curiosity I used to walk round about it at a safe distance, half expecting to see its striped covering stirred by the motions of a mysterious life, or that some evil monsters would leap out of it, like robbers from Ali Baba's jars or armed men from the Trojan horse!

There was another class of peripatetic philosophers—half pedler, half mendicant—who were in the habit of visiting us. One we recollect, a lame, unshaven, sinister-eyed, unwholesome fellow, with his basket of old newspapers and pamphlets, and his tattered blue umbrella, serving rather as a walking-staff than as a protection from the rain. He told us on one occasion, in answer to our inquiring into the cause of his lameness, that when a young man he was employed on the farm of the chief magistrate of a neighboring State; where, as his ill luck would have it, the governor's handsome daughter fell in love with him. He was caught one day in the young lady's room by her father; whereupon the irascible old gentleman pitched him unceremoniously out of the window, laming him for life, on a brick pavement below, like Vulcan on the rocks of Lemnos.(1) As for the lady, he assured us "she took on dreadfully about it." "Did she die?" we inquired, anxiously. There was a cunning twinkle in the old rogue's eye as he responded, "Well, no she did n't. She got married."

(1) It was upon the Isle of Lemnos that Vulcan was flung by
Jupiter, according to the myth, for attempting to aid his mother
Juno.

Twice a year, usually in the spring and autumn, we were honored with a call from Jonathan Plummer, maker of verses, pedler and poet, physician and parson,—a Yankee troubadour,—first and last minstrel of the valley of the Merrimac, encircled, to my wondering young eyes, with the very nimbus of immortality. He brought with him pins, needles, tape, and cotton-thread for my mother; jack-knives, razors, and soap for my father; and verses of his own composing, coarsely printed and illustrated with rude wood-cuts, for the delectation of the younger branches of the family. No love-sick youth could drown himself, no deserted maiden bewail the moon, no rogue mount the gallows, without fitting memorial in Plummer's verses. Earthquakes, fires, fevers, and shipwrecks he regarded as personal favors from Providence, furnishing the raw material of song and ballad. Welcome to us in our country seclusion, as Autolycus to the clown in "Winter's Tale,"(1) we listened with infinite satisfaction to his reading of his own verses, or to his ready improvisation upon some domestic incident or topic suggested by his auditors. When once fairly over the difficulties at the outset of a new subject his rhymes flowed freely, "as if he had eaten ballads, and all men's ears grew to his tunes." His productions answered, as nearly as I can remember, to Shakespeare's description of a proper ballad,—"doleful matter merrily set down, or a very pleasant theme sung lamentably." He was scrupulously conscientious, devout, inclined to theological disquisitions, and withal mighty in Scripture. He was thoroughly independent; flattered nobody, cared for nobody, trusted nobody. When invited to sit down at our dinner-table he invariably took the precaution to place his basket of valuables between his legs for safe keeping. "Never mind they basket, Jonathan," said my father; "we shan't steal thy verses." "I 'm not sure of that," returned the suspicious guest. "It is written, 'Trust ye not in any brother.'"

(1) "He could never come better," says the clown in
Shakespeare's The Winter's Tale, when Autolycus, the
pedler, is announced; "he shall come in. I love a ballad but
even too well, if it be doleful matter merrily set down, or a very
pleasant thing indeed and sung lamentably." Act IV. scene 4.