It may be said, that every Highland village has near it a locality where a ghost or baucan is, or was, to be seen. A favourite haunt for these unearthly visitants is by the fords of rivers (beul àth na h-aimhne), where generally bridges have been built in modern times, near churchyards, on dark moors, and in hollows, or rather at the top of the ascent from hollows, traversed by the public road. Not unfrequently there is a projecting rock (sròin creige) near the spot, and this may have its own share in producing that sense of loneliness and awe, which makes the belated peasant prone to convert stray animals and unusual appearances into ghosts and spirits. It is a noticeable feature in ghost stories, that it is principally to those travelling alone, and not accustomed to walk the night, that ghosts are visible. They have been seen in houses, and even in towns, but ordinarily they affect lonely places, where naturally men are more apt to be timorous.

The “Black Shore” (du-chladach) as it is called, i.e. the shore below the line or roll of seaweed thrown up by the tide (ròlag ròid), is, according to Highland belief, an asylum from all kinds of supernatural beings that haunt the night, fairies, ghosts, or evil spirits. No being “at all, at all” of the kind (seòrsa sam bith, sam bith) can go below the tide mark. The confidence of the timorous in this place of refuge is confirmed by the assurance that they are not exposed to a similar danger from the sea. It is a saying, “Evil comes not from the sea” (Cha d’thig olc sam bith o’n fhairge).

Ghosts and evil spirits cannot cross a running stream, a belief which had its origin before the days of bridges. The shock given to the nerves by the cold water, when it was of any depth, served to dispel the optical delusion caused by unfounded terror.

When about to encounter a Baucan the dirk should be partly drawn from its sheath, otherwise it will prove impossible during the encounter to draw the weapon. In the event of the evil spirit asking its name it should not be called by its proper name, “a dirk” (biodag), but “my father’s sister” (piuthar m’athar), “my grandmother’s sister” (piuthar mo sheanamhair) or by some similar title. This prevents enchantments being laid upon it to render it useless. The effect of these is, that instead of giving the ghost its quietus, the weapon merely makes a tinkling noise (gliong) against it. Evil spirits cannot bear the touch of cold steel. Iron, or preferably steel, in any form is a protection, though it is not obvious how or why, against the fairies,—an iron ring on the point of a staff is as good as a sword, but evil spirits are subdued by it only when made into a lethal weapon.

In the struggle the ghost is in the hands of its opponent, soft as a bag of wool or impalpable as air. At every tussle, therefore, the unfortunate man is thrown down and injured.

In the presence of an evil spirit, a dog defends its master, or crouches in terror about his feet, but a bitch jumps at his throat, and if it can will tear him. It is, however, rendered harmless, by taking blood from its ear, or tying a collar (conghal i.e. ceangal), usually its master’s garter, about its neck. Similarly an entire horse was said to defend its master, but a mare attacked him. It was also a belief, that an entire horse could not be injured by witches or evil spirits.

The best protection is a circle drawn round one’s self on the ground with the point of a sapling or dirk, saying “The Cross of Christ be upon us” (Crois Chriosd oirnn!) All the spirits that infest the night may dash in fury against this circle, but they can no more pass it, than the most threatening waves of the sea the rocks that form their appointed bounds. As already suggested, this circle is the superstitious representative of a person’s own integrity, within which he is safe from the attacks and wiles of the devil. It is known also in Ireland, as the following story told in Arisaig, Inverness-shire, by an Irish packman, shows.

A priest’s brother having died, a young man, who had been a bosom friend of his, expressed an ardent wish some weeks after to see him again. That same evening he was met by the shade of his dead companion, and the two had a long talk together. They spoke of the pleasure, they had in each other’s society, and the dead man got the other to promise to meet him at the same spot the following evening. It added, “To make you sure it is indeed I, you will tell my brother the priest of such and such an occurrence [describing it], which nobody knows but he and I.” On his way home, the young man called upon the priest, and told what he had seen. “It is not my brother’s ghost at all,” said the priest, “but the devil, who is trying to decoy you into his power; I will go with you to-morrow night to meet him.” The two went together to the place of appointment, the priest taking with him a dirk, with which he traced a circle round them, and an iron hoop, inside of which also they stood. A figure in face and form like the priest’s brother, “most like, yet not the same,” came, but on finding itself outwitted, and a Bible being opened before it, went away in a flame of fire.

THE Bodach, OR CARLE.

The bodach (lit. a carle, an old man) is perhaps the commonest form of Baucan, so common that in some districts, e.g. the Lord Reay country (Dùthaich Mhic Aoi), as the seven parishes nearest to Cape Wrath are called, they have no other name for apparitions or terrifying objects seen at night. It is the figure of a man, who is no “living wight,” seen at night, and as may readily be imagined, this kind of apparition is frequently seen when children are obstreperous, querulous, or crying without cause, as their manner is. The Beckoning Old Man (Bodach an Sméididh) appears about the corners of houses, making signs with his hand for people to come to him. The Corra-lòigein, whatever his name may mean, stands in places which it is desirable to keep children from wandering to after dark, and will ill-treat any of whom it gets a hold. The principal of these Lemures is “The Son of Platter-pool,” whose full title is, “The Son of Platter-pool from grey spike, silken spike, great caterpillar.”[32] This, as his name indicates, is really a frightful bugbear; he looks in at windows, flattens his face against the panes, sharpens his teeth with much noise, and takes away children in a twinkling, unless they keep quiet. Neither he, however, nor any of his brother bugbears, enter a house unless called in. The threat of doing so is generally quite sufficient to silence the most ill-grained child.