“ ... Les acteurs, montés sur des tombereaux pleins d’ordures, s’amusaient à en jeter à la populace qui les entouraient.... Ces scènes étaient toujours accompagnées de chansons ordurières et impies.”—(Dulaure, “Des Divinités Génératrices,” chap. xv. p. 315 et seq., Paris, 1825.)
COMPARISON BETWEEN THE FEAST OF FOOLS AND THE URINE DANCE.
In the above description may be seen that the principal actors (taking possession of the church during high mass) had their faces daubed and painted, or masked in a harlequin manner; that they were dressed as clowns or as women; that they ate upon the altar itself sausages and blood-puddings. Now the word “blood-pudding” in French is boudin; but boudin also meant “excrement.”[5] Add to this the feature that these clowns, after leaving the church, took their stand in dung-carts (tombereaux), and threw ordure upon the by-standers; and finally that some of these actors appeared perfectly naked (“on voyait les uns se dépouiller entièrement de leurs habits”), and it must be admitted that there is certainly a wonderful concatenation of resemblances between these filthy and inexplicable rites on different sides of a great ocean.
THE FEAST OF FOOLS TRACED BACK TO MOST ANCIENT TIMES.
Dulaure makes no attempt to trace the origin of these ceremonies in France; he contents himself with saying, “Ces cérémonies ... ont subsisté pendant douze ou quinze siècles,” or, in other words, that they were of Pagan origin. In twelve or fifteen hundred years the rite might have been well sublimed from the eating of pure excrement, as among the Zuñis, to the consumption of the boudin, the excrement symbol.[6] Conceding for the moment that this suspicion is correct, we have a proof of the antiquity of the urine dance among the Zuñis. So great is the resemblance between the Zuñi rite and that just described by Dulaure that we should have reason for believing that the new country borrowed from the old some of the features transmitted to the present day; and were there not evidence of a wider distribution of this observance, it might be assumed that the Catholic missionaries (who worked among the Zuñis from 1580, or thereabout, and excepting during intervals of revolt remained on duty in Zuñi down to the period of American occupation) found the obscene and disgusting orgy in full vigor, and realizing the danger, by unwise precipitancy, of destroying all hopes of winning over this people, shrewdly concluded to tacitly accept the religious abnormality and to engraft upon it the plant flourishing so bravely in the vicinity of their European homes.
DISAPPEARANCE OF THE FEAST OF FOOLS.
In France the Feast of Fools disappeared only with the French Revolution; in other parts of Continental Europe it began to wane about the time of the Reformation. In England, “the abbot of unreason,” whose pranks are outlined by Sir Walter Scott in his novel “The Abbot,” the miracle plays which had once served a good purpose in teaching Scriptural lessons to an illiterate peasantry, and the “moralities” of the same general purport, faded away under the stern antagonism of the Puritan iconoclast. The Feast of Fools, as such, was abolished by Henry VIII. A.D. 1541.—(See “The English Reformation,” Francis Charles Massingberd, London, 1857, p. 125.)[7]
Picart’s account of the Feast of Fools is similar to that given by Dulaure. He says that it took place in the church, at Christmas tide, and was borrowed from the Roman Saturnalia; was never approved of by the Christian church as a body, but fought against from the earliest times:—
“Les uns étoient masqués ou avec des visages barbouillés qui faisoìent peur ou qui faisoìent rire; les autres en habits de femmes ou de pantomimes, tels que sont les ministres du théatre.