In Eloquence, you see young Murray shine;
In Musick, Handel's Graces are divine.
If to adapt your Fabrick, you would choose
To suit the Builder's Genius, or his Use:
Consider well his Station, Birth, or Parts,
And make for each the Quintessence of Arts.
Here to the Muse, a proper Part assign,
To Bacchus there, direct the golden Vine;
To Venus, fix a little silent Cell,
Where all the Loves and Graces choose to dwell: