The French in the Heart of America

by John H. Finley

On the wonderful background which the passing life of that valley has filled with dim epic figures that are now but the incarnations of European longings, as rich in color as that which lies more consciously back of Greece and Rome or in the fields of Gaul (the splendors of the court of Versailles shining through the sombre forests and into the huts of the simple habitants)—on this I have depicted the rather shadowy suggestions of a matter-of-fact, drab democracy which is usually made to obscure all that background with its smoke. But if I have made your eyes see what I have tried to show, the colors and figures of the background still show themselves.

I have now to put against that wonderful background, dim as it is, the new habitants. I suggested earlier the emergence of their gaunt figures from the forests and the processional of their ships of the prairies through the tall grass that seemed as the sea itself.

I had in my thought to speak of these new inhabitants as workers, but that word has in it too much of the suggestion of endless, hopeless, playless labor. Yet they are workers all-or nearly all. There are some tramps, vagrants, idlers, to be sure, the spray of that restless sea. But when a man of great wealth wishes to give up systematic work he generally goes out of the valley or begins a migratory life, as do the wild birds of the valley.

But these busy, ever-working people of the valley are better characterized by other names, and they may be divided into three overlapping classes:

I. The precursors, those that run before, the explorers, the discoverers, the inventors, the prophets.

II. The producers, those, literally, who lead forth: the dukes, marshals, generals of democracy, bringers forth of things from the ground, the waters, by brain and muscle; and the transporters of the things brought forth to the places of need.

III. The poets, that is, in the old pristine Greek sense, the makers, the creators, in the generic sense, and not merely in the specific sense of makers of verses.

If you object to my terminology as exalting too much the common man, as putting sacred things to profane use, as demeaning prophecy and nobility and poesy, I shall answer that it is because of the narrowing definitions of convention that only the makers of verses, and not all of those, are poets, that only men of certain birth or ancestry or favor are dukes, and that prophets have entirely disappeared. And I bring to my support the more liberal lexicography of science, whose spectroscopy now admits the humblest elements into the society of the stars; whose microscopy, as Maeterlinck has helped us to become aware, has permitted the flowers to share the aspirations of animal intelligence; whose chemistry has gathered the elements into a social democracy in which no permanent aristocracy seems now to be possible, except that of service to man; whose physics has divided the atom and yet exalted it to a place which would lead Lucretius, were he writing now, to include it in Natura Deorum instead of Natura Rerum.

The son of Sirach, in his Book of Wisdom, has described the man who did the work of the world in ancient times; for "how shall he become wise," begins this essay, "that holdeth the plough, that glorieth in the shaft of the goad, that driveth oxen, and is occupied in their labors, and whose discourse is of the stock of bulls? He will set his heart upon turning his furrows, his wakefulness is to give his heifers their fodder. So is every artificer and work-master that passeth his time by night as by day, they that cut gravings of signets; and his diligence is to make great variety; he will set his heart to preserve likeness in his portraiture, and will be wakeful to finish his work. So is the smith, sitting by the anvil, and considering the un-wrought iron; the vapor of the fire will waste his flesh, and in the heat of the furnace will he wrestle with his work; the noise of the hammer will be ever in his ears, and his eyes are upon the pattern of the vessel; he will set his heart upon perfecting his works, and he will be wakeful to adorn them perfectly. So is the potter sitting at his work, and turning the wheel about with his feet, who is always anxiously set at his work, and all his handiwork is by number; he will fashion the clay with his arm, and will bend its strength in front of his feet; he will apply his heart to finish the glazing, and he will be wakeful to make clean the furnace. All these put their trust in their hands; and each becometh wise in his own work. Without these shall not a city be inhabited, and men shall not sojourn or walk up or down therein. They shall not be sought for in the council of the people, and in the assembly they shall not mount on high; they shall not sit on the seat of the judge, and they shall not understand the covenant of judgment; neither shall they declare instruction and judgment, and where parables are they shall not be found. But they will maintain the fabric of the world; and in the handiwork of their craft is their prayer."

The wisdom of the scribe, however, he said, "cometh by opportunity of leisure." That wisdom the west, as I have already intimated, has not yet learned. Such a scene as I witnessed a little time ago in the amphitheatre of the Sorbonne, a scene typical of what occurs many times a day there, is not yet to be seen in the valley. I saw that hall filled in the early afternoon with an audience markedly masculine, listening to a lecture on early Greek life, interspersed with readings from the Homeric epics. I cannot visualize, much as I could wish to, a like scene in the Mississippi Valley, except in the atmosphere of a woman's club, or at an assembly on the shore of the lake Chautauqua, which I have described in the narrative of the "sowing of the leaden plates," where men and women are for a little time shut away from their normal occupations in a fenced or walled town; or in a university where attendance upon the lecture is required for a degree. I cannot visualize it even with such a charming and amphionic lecturer as the great scholar who gave the lecture on Greece [Footnote: Dean Croiset.] to which I have referred.