Dawn in darkest Africa

by John H. Harris

II
THE PADDLER AND HIS CANOE

Central Africa, the unexplored land of our childhood, is vested with a charm that never ceases to allure, and reveals her deepest secrets only to those who dig deep and risk much to discover them. The rivers with their shifting sandbanks, their treacherous rapids and whirlpools, entice again and again those whom the miasma has threatened to slay, as the rushing current threatens the unwary navigator. The native alone is in any degree immune to the former, and it is he who, with his simple knowledge of the shoals and currents, may venture with his inimitable dug-out where scientific navigation is baffled. Inseparable from the African river is the dug-out, unthinkable are the thousands of miles of navigable waterway without this primitive, though astonishingly effective, craft.

Canoeing in Central Africa may be not unpleasant, providing both canoe and paddlers are amiably inclined. The number of canoes available is so restricted that there is little choice, and comfort aside it is wise always to sacrifice size to reputation, for a canoe with a bad name will dispirit the paddlers. The trimmest and most seasoned craft, capable of holding twenty to twenty-five paddlers, is the traveller’s ideal, but the equipment is incomplete without a small pilot boat for surplus baggage, manned with four or five paddlers, who will keep ahead, but always in sight, forewarning of rocks, snags, or sandbanks, and generally discharging the functions of a scout. No less important is the selection of the crew, and these to complete a harmonious group should be volunteers—the best plan being that of getting three or four cheery spirits to select the remainder from amongst their friends.

THE PADDLER AND MUSIC

The African paddler readily responds to an appeal for a co-operative canoe journey, but he dislikes any such undertaking as a mere hired paddler. Make him part and parcel of the journey and a host of potential difficulties vanish. Erect in the bows of the canoe a tiny rush shelter with a bamboo bed for the white man, and only the two final though most important elements remain—music and provisions—the absence of either being equally fatal. For the latter, an ample supply of dried fish and cassava can be stored in the canoe, while a currency in the shape of beads, salt, cloth, pins and needles will do the rest. Without music the African can neither live nor die, nor yet be buried; walking, riding, eating, digging, paddling or dancing, he must have the rhythm of his music, devoid of charm it may be to the European, but vital to the good spirits of the African. To the accompaniment of an old biscuit tin or a couple of sticks, the gunwale of the canoe, or the leaves of the forest, any or all of which can be made to give forth a sufficiency of barbaric sounds to set in rhythmic motion the voices and bodies of all within range.

With canoe packed, paddlers in position with their long spear-shaped paddles and musicians with their instruments, provisions piled high and carefully covered, the start is made. Farewells are shouted, and blessings pronounced which if measured by their volume should preserve the traveller for all time from hippos and snags, storms and mosquitos, sickness, accident and even death.

CANOE CHARACTERISTICS

One sees in the African canoe characteristics as distinct as those of the paddlers, for with a limited companionship comes a close acquaintance with nature and things inanimate. There is the leviathan among native craft shaped by the chief and his followers from a forest giant and bearing herself with the proud consciousness of regal ownership. In such a craft the passengers need have no fear for she rides majestically with her bows reared high, breasting the waves of the tornado-lashed river or lake, unmoved by the raging of the elements. She is seen at her best as she glides down stream under the combined influence of the current and the swinging impetus of her thirty stout paddlers. There is the rickety old canoe with broken stern and crippled sides, and her leaking bottom stuffed with clay, but there is life in her yet. She ships water fore and aft, and amidships too, soaking the traveller’s blankets and provisions, but her long experience gives her an ease in travel which her younger though stouter relatives cannot rival. Then there is the lumbering ungainly dug-out, with crooked nose and knotty sides, unreliable and ill-balanced, possessing an affinity for every submerged snag. “Hard on” she frequently goes and every effort to free her threatens to drown the occupants. Sandbanks she seeks out too and obstinately refuses to “jump” them. The paddlers will haul her off and curse her roundly for her crooked ways,—but as she was hewn so she will remain. At the other end of the scale is the tiny fishing dug-out of the Niger and the Congo, and their still smaller sister of Batanga in Spanish Guinea, the latter so small that the owner may with ease carry on his shoulder both canoe and fishing tackle, and whilst baiting hooks and catching fish he skilfully sits astride her and paddles with his feet.

MRS. HARRIS CANOEING ON THE ARUWIMI, UPPER CONGO.