Dawn in darkest Africa

by John H. Harris

The native’s fear of death is immortalized in his many boat songs, his legends and traditions, as well as in those elaborate systems of fetishism which are used to ward off the imaginary proximity of Death’s angel.

This was the feature of African life which so impressed Du Chaillu on his first visit to West Africa. “Are you ready for death?” he sometimes asked the natives. “No,” would be the hasty reply, “never speak of that,” and then, says Du Chaillu, “a dark cloud settled on the poor fellow’s face; in his sleep that night he had horrid dreams, and for a few days he was suspicious of all about him, fearing for his poor life lest it should be attacked by a wizard.”

Cursing in West Africa, which almost invariably takes the form of invoking death upon some relative, is one of the most frequent causes of trouble. A curse hurled at himself, the African merely resents, and returns the compliment, but let a man invoke death upon another’s mother or sister, and the dagger leaps instantly from its scabbard, or the spear goes hurtling through the air with deadly precision.

“May you die” is the most common form of cursing, which brings the sharp retort, “And you also.” The curses, “May the leopard catch your mother,” “May the crocodile eat your sister,” call forth instant battle. The explanation of this strong resentment and intensity of feeling is found in the fact that the African firmly believes that when a curse is pronounced the unfortunate person is thereby accursed.

No man ever goes on a journey, no matter how short, without a string of charms about his neck, to ward off the grim form of death, which he believes lurks in every forest, along every river, in every home. There is one charm to protect from violent death through wild animals, there is one to protect from death at the hands of strangers, but chiefest of all is that little charm stuffed away in the ram’s horn, which is a perfect safeguard against the death curse of strangers whom the traveller may meet when on his way from village to village.

The traveller cannot escape the sorrow and despair of death which surely is nowhere so marked as at the death of the African. For days, maybe, the sufferer has lain without any perceptible change, either for better or worse; then, perhaps, the watcher observes a sign which shews that the end is not far off, and the word goes round the village that Bomolo cannot live long.

Silently, one after another, the relatives creep into the hut and sit upon cooking pots, mats, stools and logs of wood, until the hut is filled with men and women knit together with a common sorrow. The strong man they have remembered in the sylvan chase, the keen fisherman, or possibly the courageous warrior they have known and admired, and in their beautiful simplicity loved, is stretched upon the hard bamboo bed which his busy hands had made. The watchers can see that it is only a matter of hours and the general weeping is at first silent, occasionally ceasing when the sick one speaks or calls for something. The nearer relatives rub and bathe the limbs which begin to chill; one or two affectionately hold a foot, a hand, or a finger; the favourite wife, as her right and duty, tenderly nurses the head.

In proportion as the weakness increases, the crying becomes more audible; then louder still the women cry, invoking all the spirits of the other world to surrender their grip and restore to life and vigour their beloved tribesman. Some momentarily cease crying and call to Bomolo to “speak words of farewell,” and the fact that the dying man is unable to reply is a signal for louder wailing still. At last comes the dreadful moment when their friend ceases to breathe. For the space of a few seconds, a breathless and awful silence prevails, whilst brother and wife listen to the heart beat; then, with a terrible shriek which rends the air, the wife cries, “He is gone!”

Words fail to describe this scene! How can the pen adequately portray the bursting of the pent-up misery of these scores of relatives as, in their agony, they twist and writhe in the dust. Wildly despairing, they grasp in frenzy the corpse or the bed, and then releasing their hold, they throw up their arms and again roll in the dust, not infrequently into the log fire which smoulders on the floor of the hut, scattering the embers amongst the tumbling and twisting mass of wailing humanity. What matter those burning scars?—the frenzy of a terrible sorrow consumes reason and chases into oblivion the pains of cut, bruised, scalded and burnt bodies.