The upshot was, he gave me the contract, and a very pretty one it was: ten thousand three hundred and forty dollars. To be sure, he made me alter the specifications so that the sills should be of stuff ten inches square, instead of the thin stuff we usually use for the sills of balloon-frame houses, such as his was to be; and though the alteration would add quite a few dollars to the cost of materials, I did not dare to add a cent to my estimate, for fear of losing the contract. Besides—though, of course, I did not intend to do so dishonorable a thing—I knew that I could easily make up the difference by using cheap paint instead of good English lead for priming, or in either one of a dozen other ways; builders have such tricks, just as ministers and manufacturers and railroadmen do.
I felt considerably stuck up at getting Markson’s house to build, and my friends said I had a perfect right to feel so, for no house so costly had been built at Bartley for several years.
So anxious were my friends that I should make a first-class job of it, that they all dropped in to discuss the plan with me, and to give me some advice, until—thanks to their thoughtful kindness—my head would have been in a muddle had the contemplated structure been a cheap barn instead of a costly villa.
But, by a careful review of the original plan every night after my friends departed, and a thoughtful study of it each morning before going to work, I succeeded in completing it according to the ideas of the only two persons really concerned—I refer to Mr. Markson and myself.
Admitting in advance that there is in the house-building business very little that teaches a man to be a literary critic, I must nevertheless say that many poets of ancient and modern times might have found the building of a house a far more inspiring theme than some upon which they have written, and even a more respectable one than certain others which some distinguished rhymers have unfortunately selected.
I have always wondered why, after Mr. Longfellow wrote “The Building of a Ship,” some one did not exercise his muse upon a house. I never attempted poetry myself, except upon my first baby, and even those verses I transcribed with my left hand, so they might not betray me to the editor of the Bartley Conservator, to whom I sent them, and by whom they were published.
I say I never attempted poetry-writing save once; but sometimes when I am working on a house, and think of all that must transpire within it—of the precious ones who will escape, no matter how strongly I build the walls; of the destroyer who will get in, in spite of the improved locks I put on all my houses; of the darkness which cannot at times be dispelled, no matter how large the windows, nor how perfect the glass may be (I am very particular about the glass I put in); of the occasional joys which seem meet for heavenly mansions not built by contract; of the unseen heroisms greater than any that men have ever cheered, and the conquests in comparison with which the achievements of mighty kings are only as splintery hemlock to Georgia pine—when I think of all this, I am so lifted above all that is prosaic and matter-of-fact, that I am likely even to forget that I am working by contract instead of by the day.
Besides, Markson’s house was my first job on a residence, and it was a large one, and I was young, and full of what I fancied were original ideas of taste and effect; and as I was unmarried, and without any special lady friend, I was completely absorbed in Markson’s house.
How it would look when it was finished; what views it would command; whether its architectural style was not rather subdued, considering the picturesque old hemlocks which stood near by; what particular shade of color would be effective alike to the distant observer and to those who stood close by when the light reached it only through the green of the hemlock; just what color and blending of slate to select, so the steep-pitched roof should not impart a sombre effect to the whole house; how much money I would make on it (for this is a matter of utter uncertainty until your work is done, and you know what you’ve paid out and what you get); whether Markson could influence his friends in my favor; what sort of a family he had, and whether they were worthy of the extra pains I was taking on their house—these and a thousand other wonderings and reveries kept possession of my mind; while the natural pride and hope and confidence of a young man turned to sweet music the sound of saw and hammer and trowel, and even translated the rustling of pine shavings with hopeful whispers.
The foundations had been laid, and the sills placed in position, and I was expecting to go on with the work as soon as Markson himself had inspected the sills—this, he said, he wished to do before anything further was done; and, so that he might not have any fault to find with them, I had them sawn to order, and made half an inch larger each way, so they couldn’t possibly shrink before he could measure them.