14. It is equally true of the pleasing and the softer passions, that they leave their signatures upon the countenance when they cease to act: the prevalence of these passions, therefore, produces a mechanical effect upon the aspect, and gives a turn and cast to the features which makes a more favorable and forcible impression upon the mind of others, than any charm produced by mere external causes.
15. Neither does the beauty which depends upon temper and sentiment, equally endanger the possessor: "It is," to use an eastern metaphor, "like the towers of a city, not only an ornament, but a defence;" if it excites desire, it at once controls and refines it; it represses with awe, it softens with delicacy, and it wins to imitation. The love of reason and virtue is mingled with the love of beauty; because this beauty is little more than the emanation of intellectual excellence, which is not an object of corporeal appetite.
16. As it excites a purer passion, it also more forcibly engages to fidelity: every man finds himself more powerfully restrained from giving pain to goodness than to beauty; and every look of a countenance in which they are blended, in which beauty is the expression of goodness, is a silent reproach of the first irregular wish: and the purpose immediately appears to be disingenious and cruel, by which the tender hope of ineffable affection would be disappointed, the placid confidence of unsuspected simplicity abased, and the peace even of virtue endangered by the most sordid infidelity, and the breach of the strongest obligations.
17. But the hope of the hypocrite must perish. When the fictitious beauty has laid by her smiles, when the lustre of her eyes and the bloom of her cheeks have lost their influence with their novelty; what remains but a tyrant divested of power, who will never be seen without a mixture of indignation and disdain? The only desire which this object could gratify, will be transferred to another, not only without reluctance, but with triumph.
18. As resentment will succeed to disappointment, a desire to mortify will succeed to a desire to please; and the husband may be urged to solicit a mistress, merely by a remembrance of the beauty of his wife, which lasted only till she was known.
Let it therefore be remembered, that none can be disciples of the Graces, but in the school of Virtue; and that those who wish to be lovely, must learn early to be good.
19. A FRIEND of mine has two daughters, whom I will call Lætitia and Daphne. The former is one of the greatest beauties of the age in which she lives; the latter no way remarkable for any charms in her person. Upon this one circumstance of their outward form, the good and ill of their life seem to turn. Lætitia has not from her very childhood heard any thing else but commendations of her features and complexion, by which means she is no other than nature made her, a very beautiful outside.
20. The consciousness of her charms has rendered her insupportably vain and insolent towards all who have to do with her. Daphne, who was almost twenty before one civil thing had ever been said to her, found herself obliged to acquire some accomplishments to make up for the want of those attractions which she saw in her sister.
21. Poor Daphne was seldom submitted to in a debate wherein she was concerned; her discourse had nothing to recommend it but the good sense of it, and she was always under a necessity to have very well considered what she was to say before she uttered it; while Lætitia was listened to with partiality, and approbation sat in the countenances of those she conversed with, before she communicated what she had to say.
22. These causes have produced suitable effects, and Lætitia is as insipid a companion as Daphne is an agreeable one. Lætitia, confident of favour, has studied no arts to please: Daphne, despairing of any inclination towards her person, has depended only on her merit. Lætitia has always something in her air that is sullen, grave and disconsolate.