nothing but churches and convents. The grass grows green in the silent streets. You hear nothing but the chime of bells and the faint echoes of masses. You see on every side bolted doors and barred windows, and, gliding over the mossy pavements, the stealthy-stepping, long-robed priests.
I will only mention two more churches, and both of these converts from heathendom; both of them dedicated to San Cristo, for in the democracy of the calendar the Saviour is merely a saint, and reduced to the level of the rest. One is the old pretorian temple of the Romans, which was converted by King Sizebuto into a Christian church in the seventh century. It is a curious structure in brick and mortar, with an apsis and an odd arrangement of round arches sunken in the outer wall and still deeper pointed ones. It is famed as the resting-place of Saints Ildefonso and Leocadia, whom we have met before. The statue of the latter stands over the door graceful and pensive enough for a heathen muse. The little cloisters leading to the church are burial vaults. On one side lie the canonical dead and on the other the laity, with bright marble tablets and gilt inscriptions. In the court outside I noticed a flat stone marked Ossua-
THE CITY OF THE VISIGOTHS 245
rium. The sacristan told me this covered the pit where the nameless dead reposed, and when the genteel people in the gilt marble vaults neglected to pay their annual rent, they were taken out and tumbled in to moulder with the common clay.
This San Cristo de la Vega, St. Christ of the Plain, stands on the wide flat below the town, where you find the greater portion of the Roman remains. Heaps of crumbling composite stretched in an oval form over the meadow mark the site of the great circus. Green turf and fields of waving grain occupy the ground where once a Latin city stood. The Romans built on the plain. The Goths, following their instinct of isolation, fixed their dwelling on the steep and rugged rock. The rapid Tagus girdling the city like a horseshoe left only the declivity to the west to be defended, and the ruins of King Wamba's wall show with what jealous care that work was done. But the Moors, after they captured the city, apparently did little for its defence. A great suburb grew up in the course of ages outside the wall, and when the Christians recaptured Toledo in 1085, the first care of Alonso VI. was to build another wall, this time nearer the foot of the hill, taking inside all the accretion of
246 CASTILIAN DAYS
these years. From that day to this that wall has held Toledo. The city has never reached, perhaps will never reach, the base of the steep rock on which it stands.
When King Alonso stormed the city, his first thought, in the busy half hour that follows victory, was to find some convenient place to say his prayers. Chance led him to a beautiful little Moorish mosque or oratory near the superb Puerta del Sol. He entered, gave thanks, and hung up his shield as a votive offering. This is the Church of San Cristo de la Luz. The shield of Alonso hangs there defying time for eight centuries,--a golden cross on a red field,--and the exquisite oratory, not much larger than a child's toy-house, is to-day one of the most charming specimens of Moorish art in Spain. Four square pillars support the roof, which is divided into five equal "half-orange" domes, each different from the others and each equally fascinating in its unexpected simplicity and grace. You cannot avoid a feeling of personal kindliness and respect for the refined and genial spirit who left this elegant legacy to an alien race and a hostile creed.