The Plaza de Toros stands just outside the monumental gate of the Alcalá. It is a low, squat, prison-like circus of stone, stuccoed and whitewashed, with no pretence of ornament or architectural effect. There is no nonsense whatever about it. It is built for the killing of bulls and for no other purpose. Around it, on a day of battle, you
ENTRANCE TO THE BULL-RING, MADRID
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will find encamped great armies of the lower class of Madrileños, who, being at financial ebb-tide, cannot pay to go in. But they come all the same, to be in the enchanted neighborhood, to hear the shouts and roars of the favored ones within, and to seize any possible occasion for getting in. Who knows? A caballero may come out and give them his check. An English lady may become disgusted and go home, taking away numerous lords whose places will be vacant. The sky may fall, and they may catch four reals' worth of larks. It is worth taking the chances.
One does not soon forget the first sight of the full coliseum. In the centre is the sanded arena, surrounded by a high barrier. Around this rises the graded succession of stone benches for the people; then numbered seats for the connoisseurs; and above a row of boxes extending around the circle. The building holds, when full, some fourteen thousand persons; and there is rarely any vacant space. For myself I can say that what I vainly strove to imagine in the coliseum at Rome, and in the more solemn solitude of the amphitheatres of Capua and Pompeii, came up before me with the vividness of life on entering the bull-ring
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