But to return to our story. Such was Reding. But Sheffield, on the other hand, without possessing any real view of things more than Charles, was, at this time, fonder of hunting for views, and more in danger of taking up false ones. That is, he was "viewy," in a bad sense of the word. He was not satisfied intellectually with things as they are; he was critical, impatient to reduce things to system, pushed principles too far, was fond of argument, partly from pleasure in the exercise, partly because he was perplexed, though he did not lay anything very much to heart.
They neither of them felt any special interest in the controversy going on in the University and country about High and Low Church. Sheffield had a sort of contempt for it; and Reding felt it to be bad taste to be unusual or prominent in anything. An Eton acquaintance had asked him to go and hear one of the principal preachers of the Catholic party, and offered to introduce him; but he had declined it. He did not like, he said, mixing himself up with party; he had come to Oxford to get his degree, and not to take up opinions; he thought his father would not relish it; and, moreover, he felt some little repugnance to such opinions and such people, under the notion that the authorities of the University were opposed to the whole movement. He could not help looking at its leaders as demagogues; and towards demagogues he felt an unmeasured aversion and contempt. He did not see why clergymen, however respectable, should be collecting undergraduates about them; and he heard stories of their way of going on which did not please him. Moreover, he did not like the specimens of their followers whom he fell in with; they were forward, or they "talked strong," as it was called; did ridiculous, extravagant acts; and sometimes neglected their college duties for things which did not concern them. He was unfortunate, certainly: for this is a very unfair account of the most exemplary men of that day, who doubtless are still, as clergymen or laymen, the strength of the Anglican Church; but in all collections of men, the straw and rubbish (as Lord Bacon says) float on the top, while gold and jewels sink and are hidden. Or, what is more apposite still, many men, or most men, are a compound of precious and worthless together, and their worthless swims, and their precious lies at the bottom.
CHAPTER IV.
Bateman was one of these composite characters: he had much good and much cleverness in him; but he was absurd, and he afforded a subject of conversation to the two friends as they proceeded on their walk. "I wish there was less of fudge and humbug everywhere," said Sheffield; "one might shovel off cartloads from this place, and not miss it."
"If you had your way," answered Charles, "you would scrape off the roads till there was nothing to walk on. We are forced to walk on what you call humbug; we put it under our feet, but we use it."
"I cannot think that; it's like doing evil that good may come. I see shams everywhere. I go into St. Mary's, and I hear men spouting out commonplaces in a deep or a shrill voice, or with slow, clear, quiet emphasis and significant eyes—as that Bampton preacher not long ago, who assured us, apropos of the resurrection of the body, that 'all attempts to resuscitate the inanimate corpse by natural methods had hitherto been experimentally abortive.' I go into the place where degrees are given—the Convocation, I think—and there one hears a deal of unmeaning Latin for hours, graces, dispensations, and proctors walking up and down for nothing; all in order to keep up a sort of ghost of things passed away for centuries, while the real work might be done in a quarter of an hour. I fall in with this Bateman, and he talks to me of rood-lofts without roods, and piscinæ without water, and niches without images, and candlesticks without lights, and masses without Popery; till I feel, with Shakespeare, that 'all the world's a stage.' Well, I go to Shaw, Turner, and Brown, very different men, pupils of Dr. Gloucester—you know whom I mean—and they tell us that we ought to put up crucifixes by the wayside, in order to excite religious feeling."
"Well, I really think you are hard on all these people," said Charles; "it is all very much like declamation; you would destroy externals of every kind. You are like the man in one of Miss Edgeworth's novels, who shut his ears to the music that he might laugh at the dancers."
"What is the music to which I close my ears?" asked Sheffield.