The archæology of Rome, Part 7

by John Henry Parker

The earliest part of the building at Capua is of the time of the Emperor Hadrian, but only a small part of that period remains, as shewn by the construction (reticulated work with a framework of brick). Most of the walls in the substructure are faced with brick of the second or third century, with later repairs[193].

Puteoli or Pozzuoli.

This amphitheatre is very much smaller than either the Colosseum in Rome, or the amphitheatre at Capua; the superstructure is in a very ruinous state, but the substructure is almost perfect, and the work is much more highly finished than in either of the others. There are considerable remains of rich stucco ornament on the vault over the passage to one of the side doors. The arena is nearly intact, and is of brick, carried on vaults, what the Italians call pensile; this word does not mean literally hanging, but hollow underneath; and this brick floor is full of square holes for trap-doors; round the edge of each is a deep groove, as if for a cover to fit into, which may very well have been made water-tight. Signor Scherillo, a native of Pozzuoli, and now a canon of the cathedral at Naples, has published several papers on this amphitheatre in the Atti dell’ Accademia di Archeologia, Letteratura e belle Arti di Napoli. He is of opinion that the arena was flooded to the depth of about three feet, or about half way up the podium; the water would only cover the two or three lower steps, and there were probably also water-tight doors at the foot of them. At a short distance in front of the podium is a channel about a foot deep, in which probably a beam of wood has lain, and at intervals of ten or twelve feet is a square hole, evidently for a beam of wood to have stood in, no doubt the lower part of the frame for the netting to keep off the wild beasts from the people in the lower gallery, as in the Colosseum, and probably carried up as poles or masts to receive the lower ends of the cords to carry the awning; there are also remains at the top of the outer wall of the same arrangement of fixing the masts there as in the Colosseum, and the same thing can be seen in many other amphitheatres where the outer wall remains perfect. This amphitheatre is entirely of the time of Hadrian, a beautiful piece of construction. It seems to have been a favourite show-place of the Emperors on state occasions, for the upper classes and foreigners, when the fleet was assembled in the Bay of Naples, in which the Cape of Misenum is one of the promontories near this spot. The enormous reservoir of water for the supply of the fleet, called the Piscina Mirabilis, is also not far off; and the amphitheatre belonged to the great imperial villa, originally of Nero, in the bay adjoining.

This amphitheatre has been shamefully used in the Middle Ages, the arena having been made into a cabbage garden, with a deep bed of earth upon it. The upper parts of the walls had probably been damaged by the great earthquake, and in order to get rid of the numerous broken columns and capitals lying about, the gardeners threw them down the openings into the vaults below, where they are stacked up under the arches like so many mere blocks of stone, to put them out of the way. Fortunately it is owing probably to the vaults having thus been made use of, that they have been so well preserved, and also because there was not much call for building-stone in the neighbourhood, as the ruins of the villa and the temples had supplied as much as was wanted.

Verona.

In many of the Italian cities, as well as in Gaul and Britain, the amphitheatre was made of earth and wood only, the seats cut out in banks on the slope of a hill or of an agger, in districts where stone was scarce. In the Circus Maximus also the seats for the plebs on the Aventine seem to have been made in that manner, the stone galleries were on the Palatine only.

At Verona, as in many other instances, the outer wall has been almost entirely destroyed; two bays, or four arches of it only remain, but these are sufficient to shew the plan, and that it was three storeys high, the Tuscan order of columns being used throughout. The upper storey seems to have been for the passage round the seats over the corridors; the two lower ones with the seats remain nearly perfect, forming a fine double arcade on the outer side without columns, now made visible by the demolition of the outer corridor and wall. In its present state it is one of the finest buildings of its class. There seems to be no historical evidence of its date; in Murray’s Handbook it is said to be of the time of the Flavian Emperors, but no authority for this is given, and it is not probable. The measurements given by Maffei do not quite agree with those taken by Alvino[194], but the variations are not great; and as one is taken in Neapolitan palms of ten inches, the other in Veronese feet, the apparent variation probably arose only from the different mode of calculating. None of them agree with those in Murray’s Handbooks, which are taken from the Lectures of Mr. Woods. The general proportions may be judged of by the number of persons that each would contain; Publius Victor states that the Colosseum had 87,000 places, and Maffei states that this at Verona had 77,000, this would make it one-eighth less. The variations are not of much importance. The outer wall was partly destroyed by an earthquake in 1184, and the stones were then used as building material, as in other places, but this was soon stopped. The unusually perfect state of the seats arises from the care taken of them in the Middle Ages, very much to the credit of the inhabitants at that period. As early as 1228, it was agreed that each podesta (or mayor) should expend 500 lire (about £20[195]) on the repairs of this building; and in 1435 penalties were inflicted on any one who removed any of the stone. This shews that the people of Verona were more civilized than the Romans at that period. In 1545 a special officer was appointed to take charge of it. The restoration of the seats has been carefully done, and is not perceived without some examination. This restoration was begun by voluntary subscription as early as 1568, and continued as late as 1805. The arches were numbered on the exterior, as in the Colosseum; the four that remain have the numbers LXIIII to LXVII over them. The arrangement of the masts and poles for the awning are the same as in Rome, and were managed in the same manner. The plan of the vomitoria is also nearly the same. No excavations appear to have been made under the arena; a plan and section of the substructures under the galleries is given by Maffei, they are similar to those in Rome. He does not appear to have been aware that there was likely to have been anything under the arena; he mentions the conduits of aqueducts, and drains for carrying off the water, which seem to shew that naumachia were held here, but we have no information as to how they were managed.

The proportions of the three principal amphitheatres, as given in the work of Alvino[196], in Neapolitan palms[197] of ten inches are:—