"Ces détails," he subjoins, "paroitront sans doute puérils à bien des gens: mais puisque c'est la grandeur des marges de ces sorts de livres qu'en détermine la valeur, il faut bien fixer le maximum de cette grandeur, afin que les amateurs puissent apprécier les exemplaires qui approchent plus ou moins de la mésure donnée."
[27] "Si quis in aliena tabula pinxerit, quidam putant, tabulam picturæ cedere: aliis videtur picturam (qualiscunque sit) tabulæ cedere: sed nobis videtur melius esse tabulam picturæ cedere. Ridiculum est enim picturam Apellis vel Parrhasii in accessionem vilissimæ tabulæ cedere."—Inst. ii. 1. 34.
[28] "The great point of view in a collector is to possess that not possessed by any other. It is said of a collector lately deceased, that he used to purchase scarce prints at enormous prices in order to destroy them, and thereby render the remaining impressions more scarce and valuable."—Grose's Olio, p. 57. I do not know to whom Grose alludes; but it strikes me, in realising a man given to such propensities—taking them as a reality and not a joke—that it would be interesting to know how, in his moments of serious thought, he could contemplate his favourite pursuit—as, for instance, when the conscientious physician may have thought it necessary to warn him in time of the approaching end—how he could reckon up his good use of the talents bestowed on him, counting among them his opportunities for the encouragement of art as an elevator and improver of the human race.
[29] A traditional anecdote represents the Rev. William Thomson, a clergyman of the Church of Scotland, as having got into a scrape by a very indecorous alteration of a word in Scripture. A young divine, on his first public appearance, had to read the solemn passage in 1st Corinthians, "Behold, I show you a mystery; we shall not all sleep, but we shall all be changed, in a moment, in the twinkling of an eye, at the last trump." Thomson scratched the letter c out of the word changed. The effect of the passage so mutilated can easily be tested. The person who could play such tricks was ill suited for his profession, and being relieved of its restraints, he found a more congenial sphere of life among the unsettled crew of men of letters in London, over whom Smollett had just ceased to reign. He did a deal of hard work, and the world owes him at least one good turn in his translation of Cunningham's Latin History of Britain from the Revolution to the Hanover Succession. The value of this work, in the minute light thrown by it on one of the most memorable periods of British history, is too little known. The following extract may give some notion of the curious and instructive nature of this neglected book. It describes the influences which were in favour of the French alliance, and against the Whigs, during Marlborough's campaign. "And now I shall take this opportunity to speak of the French wine-drinkers as truly and briefly as I can. On the first breaking out of the Confederate war, the merchants in England were prohibited from all commerce with France, and a heavy duty was laid upon French wine. This caused a grievous complaint among the topers, who have great interest in the Parliament, as if they had been poisoned by port wines. Mr Portman Seymour, who was a jovial companion, and indulged his appetites, but otherwise a good man; General Churchill, the Duke of Marlborough's brother, a man of courage, but a lover of wine; Mr Pereira, a Jew and smell-feast, and other hard drinkers, declared, that the want of French wine was not to be endured, and that they could hardly bear up under so great a calamity. These were joined by Dr Aldridge, who, though nicknamed the priest of Bacchus, was otherwise an excellent man, and adorned with all kinds of learning. Dr Ratcliffe, a physician of great reputation, who ascribed the cause of all diseases to the want of French wines, though he was very rich, and much addicted to wine, yet, being extremely covetous, bought the cheaper wines; but at the same time he imputed the badness of his wine to the war, and the difficulty of getting better. Therefore the Duke of Beaufort and the Earl of Scarsdale, two young noblemen of great interest among their acquaintance, who had it in their power to live at their ease in magnificence or luxury, merrily attributed all the doctor's complaints to his avarice. All those were also for peace rather than war. And all the bottle-companions, many physicians, and great numbers of the lawyers and inferior clergy, and, in fine, the loose women too, were united together in the faction against the Duke of Marlborough."—ii. 200.
[30] Without venturing too near to this very turbulent arena, where hard words have lately been cast about with much reckless ferocity, I shall just offer one amended reading, because there is something in it quite peculiar, and characteristic of its literary birthplace beyond the Atlantic. The passage operated upon is the wild soliloquy, where Hamlet resolves to try the test of the play, and says—
"The devil hath power
T' assume a pleasing shape; yea, and perhaps,
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me."
The amended reading stands—
"As he is very potent with such spirits,
Abuses me too—damme."
[31] One curious service of printers' blunders, of a character quite distinct from their bibliological influence, is their use in detecting plagiarisms. It may seem strange that there should be any difficulty in critically determining the question, when the plagiarism is so close as to admit of this test; but there are pieces of very hard work in science, tables of reference, and the like, where, if two people go through the same work, they will come to the same conclusion. In such cases, the prior worker has sometimes identified his own by a blunder, as he would a stolen china vase by a crack. Peignot complains that some thirty or forty pages of his Dictionnaire Bibliographique were incorporated in the Siècles Littéraires de la France, "avec une exactitude si admirable, qu'on y a precieusement conservé toutes les fautes typographiques."
[32] See this and other cases in point set forth in an amusing article on "Literary Mishaps," in Hedderwick's Miscellany, part ii.