The Book-Hunter / A New Edition, with a Memoir of the Author

by John Hill Burton

It is a matter of extreme anxiety to his friends, and, if he have a well-constituted mind, of sad misgiving to himself, when the collector buys his first duplicate. It is like the first secret dram swallowed in the forenoon—the first pawning of the silver spoons—or any other terrible first step downwards you may please to liken it to. There is no hope for the patient after this. It rends at once the veil of decorum spun out of the flimsy sophisms by which he has been deceiving his friends, and partially deceiving himself, into the belief that his previous purchases were necessary, or, at all events, serviceable for professional and literary purposes. He now becomes shameless and hardened; and it is observable in the career of this class of unfortunates, that the first act of duplicity is immediately followed by an access of the disorder, and a reckless abandonment to its propensities. The Archdeacon had long passed this stage ere he crossed my path, and had become thoroughly hardened. He was not remarkable for local attachment; and in moving from place to place, his spoil, packed in innumerable great boxes, sometimes followed him, to remain unreleased during the whole period of his tarrying in his new abode, so that they were removed to the next stage of his journey through life with modified inconvenience.

Cruel as it may seem, I must yet notice another and a peculiar vagary of his malady. He had resolved, at least once in his life, to part with a considerable proportion of his collection—better to suffer the anguish of such an act than endure the fretting of continued restraint. There was a wondrous sale by auction accordingly; it was something like what may have occurred on the dissolution of the monasteries at the Reformation, or when the contents of some time-honoured public library were realised at the period of the French Revolution. Before the affair was over, the Archdeacon himself made his appearance in the midst of the miscellaneous self-invited guests who were making free with his treasures,—he pretended, honest man, to be a mere casual spectator, who, having seen, in passing, the announcement of a sale by auction, stepped in like the rest of the public. By degrees he got excited, gasped once or twice as if mastering some desperate impulse, and at length fairly bade. He could not brazen out the effect of this escapade, however, and disappeared from the scene. It was remarked by the observant, that an unusual number of lots were afterwards knocked down to a military gentleman, who seemed to have left portentously large orders with the auctioneer. Some curious suspicions began to arise, which were settled by that presiding genius bending over his rostrum, and explaining in a confidential whisper that the military hero was in reality a pillar of the Church so disguised.

The Archdeacon lay under what, among a portion of the victims of his malady, was deemed a heavy scandal. He was suspected of reading his own books—that is to say, when he could get at them; for there are those who may still remember his rather shamefaced apparition of an evening, petitioning, somewhat in the tone with which an old schoolfellow down in the world requests your assistance to help him to go to York to get an appointment—petitioning for the loan of a volume of which he could not deny that he possessed numberless copies lurking in divers parts of his vast collection. This reputation of reading the books in his collection, which should be sacred to external inspection solely, is, with a certain school of book-collectors, a scandal, such as it would be among a hunting set to hint that a man had killed a fox. In the dialogues, not always the most entertaining, of Dibdin's Bibliomania, there is this short passage: "'I will frankly confess,' rejoined Lysander, 'that I am an arrant bibliomaniac—that I love books dearly—that the very sight, touch, and mere perusal——' 'Hold, my friend,' again exclaimed Philemon; 'you have renounced your profession—you talk of reading books—do bibliomaniacs ever read books?'"

Yes, the Archdeacon read books—he devoured them; and he did so to full prolific purpose. His was a mind enriched with varied learning, which he gave forth with full, strong, easy flow, like an inexhaustible perennial spring coming from inner reservoirs, never dry, yet too capacious to exhibit the brawling, bubbling symptoms of repletion. It was from a majestic heedlessness of the busy world and its fame that he got the character of indolence, and was set down as one who would leave no lasting memorial of his great learning. But when he died, it was not altogether without leaving a sign; for from the casual droppings of his pen has been preserved enough to signify to many generations of students in the walk he chiefly affected how richly his mind was stored, and how much fresh matter there is in those fields of inquiry where compilers have left their dreary tracks, for ardent students to cultivate into a rich harvest. In him truly the bibliomania may be counted among the many illustrations of the truth so often moralised on, that the highest natures are not exempt from human frailty in some shape or other.

Let us now summon the shade of another departed victim—Fitzpatrick Smart, Esq. He, too, through a long life, had been a vigilant and enthusiastic collector, but after a totally different fashion. He was far from omnivorous. He had a principle of selection peculiar and separate from all other's, as was his own individuality from other men's. You could not classify his library according to any of the accepted nomenclatures peculiar to the initiated. He was not a black-letter man, or a tall copyist, or an uncut man, or a rough-edge man, or an early-English-dramatist, or an Elzevirian, or a broadsider, or a pasquinader, or an old-brown-calf man, or a Grangerite, or a tawny-moroccoite, or a gilt-topper, a marbled-insider, or an editio princeps man; neither did he come under any of the more vulgar classifications of collectors whose thoughts run more upon the usefulness for study than upon the external conditions of their library, such as those who affect science, or the classics, or English poetic and historical literature. There was no way of defining his peculiar walk save by his own name—it was the Fitzpatrick-Smart walk. In fact, it wound itself in infinite windings through isolated spots of literary scenery, if we may so speak, in which he took a personal interest. There were historical events, bits of family history, chiefly of a tragic or a scandalous kind,—efforts of art or of literary genius on which, through some hidden intellectual law, his mind and memory loved to dwell; and it was in reference to these that he collected. If the book were the one desired by him, no anxiety and toil, no payable price, was to be grudged for its acquisition. If the book were an inch out of his own line, it might be trampled in the mire for aught he cared, be it as rare or costly as it could be.

It was difficult, almost impossible, for others to predicate what would please this wayward sort of taste, and he was the torment of the book-caterers, who were sure of a princely price for the right article, but might have the wrong one thrown in their teeth with contumely. It was a perilous, but, if successful, a gratifying thing to present him with a book. If it happened to hit his fancy, he felt the full force of the compliment, and overwhelmed the giver with his courtly thanks. But great observation and tact were required for such an adventure. The chances against an ordinary thoughtless gift-maker were thousands to one; and those who were acquainted with his strange nervous temperament, knew that the existence within his dwelling-place of any book not of his own special kind, would impart to him the sort of feeling of uneasy horror which a bee is said to feel when an earwig comes into its cell. Presentation copies by authors were among the chronic torments of his existence. While the complacent author was perhaps pluming himself on his liberality in making the judicious gift, the recipient was pouring out all his sarcasm, which was not feeble or slight, on the odious object, and wondering why an author could have entertained against him so steady and enduring a malice as to take the trouble of writing and printing all that rubbish with no better object than disturbing the peace of mind of an inoffensive old man. Every tribute from such dona ferentes cost him much uneasiness and some want of sleep—for what could he do with it? It was impossible to make merchandise of it, for he was every inch a gentleman. He could not burn it, for under an acrid exterior he had a kindly nature. It was believed, indeed, that he had established some limbo of his own, in which such unwelcome commodities were subject to a kind of burial or entombment, where they remained in existence, yet were decidedly outside the circle of his household gods.

These gods were a pantheon of a lively and grotesque aspect, for he was a hunter after other things besides books. His acquisitions included pictures, and the various commodities which, for want of a distinctive name, auctioneers call "miscellaneous articles of vertu." He started on his accumulating career with some old family relics, and these, perhaps, gave the direction to his subsequent acquisitions, for they were all, like his books, brought together after some self-willed and peculiar law of association that pleased himself. A bad, even an inferior, picture he would not have—for his taste was exquisite—unless, indeed, it had some strange history about it, adapting it to his wayward fancies, and then he would adopt the badness as a peculiar recommendation, and point it out with some pungent and appropriate remark to his friends. But though, with these peculiar exceptions, his works of art were faultless, no dealer could ever calculate on his buying a picture, however high in artistic merit or tempting as a bargain. With his ever-accumulating collection, in which tiny sculpture and brilliant colour predominated, he kept a sort of fairy world around him. But each one of the mob of curious things he preserved had some story linking it with others, or with his peculiar fancies, and each one had its precise place in a sort of epos, as certainly as each of the persons in the confusion of a pantomime or a farce has his own position and functions.

After all, he was himself his own greatest curiosity. He had come to manhood just after the period of gold-laced waistcoats, small-clothes, and shoe-buckles, otherwise he would have been long a living memorial of these now antique habits. It happened to be his lot to preserve down to us the earliest phase of the pantaloon dynasty. So, while the rest of the world were booted or heavy shod, his silk-stockinged feet were thrust into pumps of early Oxford cut, and the predominant garment was the surtout, blue in colour, and of the original make before it came to be called a frock. Round his neck was wrapped an ante-Brummelite neckerchief (not a tie), which projected in many wreaths like a great poultice—and so he took his walks abroad, a figure which he could himself have turned into admirable ridicule.

One of the mysteries about him was, that his clothes, though unlike any other person's, were always old. This characteristic could not even be accounted for by the supposition that he had laid in a sixty years' stock in his youth, for they always appeared to have been a good deal worn. The very umbrella was in keeping—it was of green silk, an obsolete colour ten years ago—and the handle was of a peculiar crosier-like formation in cast-horn, obviously not obtainable in the market. His face was ruddy, but not with the ruddiness of youth; and, bearing on his head a Brutus wig of the light-brown hair which had long ago legitimately shaded his brow, when he stood still—except for his linen, which was snowy white—one might suppose that he had been shot and stuffed on his return home from college, and had been sprinkled with the frowzy mouldiness which time imparts to stuffed animals and other things, in which a semblance to the freshness of living nature is vainly attempted to be preserved. So if he were motionless; but let him speak, and the internal freshness was still there, an ever-blooming garden of intellectual flowers. His antiquated costume was no longer grotesque—it harmonised with an antiquated courtesy and high-bred gentleness of manner, which he had acquired from the best sources, since he had seen the first company in his day, whether for rank or genius. And conversation and manner were far from exhausting his resources. He had a wonderful pencil—it was potent for the beautiful, the terrible, and the ridiculous; but it took a wayward wilful course, like everything else about him. He had a brilliant pen, too, when he chose to wield it; but the idea that he should exercise any of these his gifts in common display before the world, for any even of the higher motives that make people desire fame and praise, would have sickened him. His faculties were his own as much as his collection, and to be used according to his caprice and pleasure. So fluttered through existence one who, had it been his fate to have his own bread to make, might have been a great man. Alas for the end! Some curious annotations are all that remain of his literary powers—some drawings and etchings in private collections all of his artistic. His collection, with its long train of legends and associations, came to what he himself must have counted as dispersal. He left it to his housekeeper, who, like a wise woman, converted it into cash while its mysterious reputation was fresh. Huddled in a great auction-room, its several catalogued items lay in humiliating contrast with the decorous order in which they were wont to be arranged. Sic transit gloria mundi.

Let us now call up a different and a more commonplace type of the book-hunter—it shall be Inchrule Brewer. He is guiltless of all intermeddling with the contents of books, but in their external attributes his learning is marvellous. He derived his nickname, from the practice of keeping, as his inseparable pocket-companion, one of those graduated folding measures of length which may often be seen protruding from the moleskin pocket of the joiner. He used it at auctions and on other appropriate occasions, to measure the different elements of a book—the letterpress—the unprinted margin—the external expanse of the binding; for to the perfectly scientific collector all these things are very significant.[26] They are, in fact, on record among the craft, like the pedigrees and physical characteristics recorded in stud-books and short-horn books. One so accomplished in this kind of analysis could tell at once, by this criterion, whether the treasure under the hammer was the same that had been knocked down before at the Roxburghe sale—the Askew, the Gordonstoun, or the Heber, perhaps—or was veritably an impostor—or was in reality a new and previously unknown prize well worth contending for. The minuteness and precision of his knowledge excited wonder, and, being anomalous in the male sex even among collectors, gave occasion to a rumour that its possessor must veritably be an aged maiden in disguise.