"Sir,—There is a scheme set on foot for erecting a public academy for the improvement of the arts of painting, sculpture, and architecture; and as it is thought necessary to have a certain number of professors, with proper authority, in order to the making regulations, taking in subscriptions, erecting a building, instructing the students, and concerning all such measures as shall be afterwards thought necessary, your company is desired at the Turk's Head, in Greek Street, Soho, on Tuesday the 13th of November, at five o'clock in the evening precisely, to proceed to the election of thirteen painters, three sculptors, one chaser, two engravers, and two architects; in all twenty-one, for the purposes aforesaid.—I am, Sir, your most humble servant,

"Francis Milner Newton, Sec.

"P.S.—Please to bring the enclosed list, marked with a cross before the names of thirteen painters, three sculptors, one chaser, two engravers, and two architects, as shall appear to you the most able artists in their several professions, and in all other respects the most proper for conducting this design. If you cannot attend, it is expected that you will send your list, sealed and enclosed in a cover, directed to me, and write your name in the cover, without which no regard will be paid to it.

"The list in that case will be immediately taken out of the cover, and mixed with the other lists, so that it shall not be known from whom it came; all imaginable methods being concerted for carrying on this election without favour or partiality. If you know any artist of sufficient merit to be elected a professor, who has been overlooked in drawing out the list, be pleased to write his name, according to his place in the alphabet, with a cross before it."

Their measures did not meet the approbation of Mr. Hogarth. He thought that the establishment of an academy would attract a crowd of young men to neglect studies better suited to their powers, and depart from more profitable pursuits: that every boy who could chalk a straight-lined figure upon a wall, would be led, by his mamma discovering that it was prodigious natural! to mistake inclination for ability, and suppose himself born for shining in the fine arts!—that the streets would be crowded by lads with palettes and portfolios, print-shops be as numerous as porter-houses, and finally, that which ought to be considered as a science, become a trade; and what was still worse, a trade which would not support its professors.

In near fifty years, that have sunk like a sunbeam in the sea, the arts have assumed a new face; they at this period form a very profitable branch of our commerce, and his prophecy pertaining unto print-shops is partly fulfilled.

It has been before observed that Mr. Hogarth, in his own portrait, engraved as a frontispiece to his works, drew a serpentine line on a painter's palette, and denominated it—The line of beauty.

In the preface to his Analysis, he thus describes the consequence of this denomination:—

"The bait soon took, and no Egyptian hieroglyphic ever amused more than it did for a time; painters and sculptors came to me to know the meaning of it, being as much puzzled with it as other people, till it came to have some explanation. Then indeed, but not till then, some found it out to be an old acquaintance of theirs; though the account they gave of its properties was very near as satisfactory as that which a day-labourer, who occasionally uses the lever, could give of that machine as a mechanical power.