[97] Elkannah Settle was born in the year 1648. In 1680, he was so violent a Whig, that the ceremony of Pope-burning, on the 17th of November, was entrusted to his management. He wrote much in defence of the party, and with the leaders was in high estimation. Politicians and patriots were formed of much the same materials then as they are now. Settle, being disappointed in some of his views, became as violent a Tory as he had been a Whig, and actually entered himself a trooper in King James's army at Hounslow Heath. The Revolution destroyed all his prospects; and in the latter part of his life he was so reduced as to attend a booth, which was kept by Mrs. Minns and her daughter Mrs. Leigh, in Bartholomew Fair. From these people he received a salary for writing drolls, which were generally approved. In his old age he was obliged to appear in these wretched exhibitions; and in the farce of St. George for England, performed the part of a dragon, being enclosed in a case of green leather of his own invention. To this circumstance Doctor Young refers in his Epistle to Pope:
"Poor Elkannah, all other changes past,
For bread, in Smithfield-dragons hiss'd at last;
Spit streams of fire, to make the butchers gape;
And found his manners suited to his shape."
[98] The Honourable Edward Howard, brother to the Earl of Berkshire and to Sir Henry Howard, was much more illustrious from his birth than distinguished by his talents. Poetry was his passion rather than his power. He mistook inclination for ability, and wrote a number of very dull plays, in which want of genius and invention was atoned for by that turgid, inflated language so acceptable to an audience whose admiration is most excited by that which they least understand.
[99] The fairs at Chester, and some few other places, still keep up the spirit of the original institution.
[100] They were at last carried to such a height of licentiousness, as to demand the interposition of the Legislature; and no reformation being wrought by lenient measures, Southwark Fair, and many others, were suppressed.
[101] A booth was built in Smithfield the year this print was published, for the use of T. Cibber, Bullock, and H. Hallam, at which the tragedy of Tamerlane, with the Fall of Bajazet, intermixed with the comedy of the Miser, was actually represented. The bill of fare with which these gentlemen tempted their customers may properly enough be called an olio; and the royal elephant sheet on which the titles of their plays are printed, throws the comparatively diminutive bills of a theatre-royal into the background.
In some of the provinces distant from the capital, their dramatic exhibitions are still given out in the quaint style which marked the productions of our ancestors. This sometimes excites the laughter of a scholar, but it whets the curiosity of the rustic; and whatever helps to fill a theatre or a barn, must be the best of all possible methods. From the recent modes of announcing new plays at the two Royal Theatres, there seems some reason to expect that the admirers of this kind of writing will soon be gratified by having it introduced in the London play-bills, or at least in the London papers, where hints of "the abundant entertainment which is to be expected sometimes make their appearance in the shape of 'a correspondent's opinion.'" But leaving them to their admirers, let us return to humbler scenes, and give one example out of the many which the provinces annually afford.