Upon this and the following print Doctor Joseph Warton, in his Essay on the Genius and Writings of Pope, made the following remark. Trusting to his memory, he confounded two prints together, and remembering to have seen a dog snarling at a cat in the fourth print of "Industry and Idleness," from an error in recollection, transferred them to the "Paul before Felix:"—
"Some nicer virtuosi have remarked, that in the serious pieces into which Hogarth has deviated from the natural bias of his genius there are some strokes of the ridiculous discernible, which suit not with the dignity of his subject. In his Preaching of St. Paul, a dog snarling at a cat; and in his Pharaoh's Daughter, the figure of the infant Moses, who expresses rather archness than timidity, are alleged as instances that this artist, unrivalled in his walk, could not resist the impulse of his imagination towards drollery. His picture, however, of Richard III. is pure and unmixed, without any ridiculous circumstances, and strongly impresses terror and amazement."
On the publication of this criticism, Hogarth engraved the whole quotation under the two prints alluded to without any comment; but on the appearance of the following very ample and candid apology, erased them:—
"The author gladly lays hold of the opportunity of this third edition of his work to confess a mistake he had committed with respect to two admirable paintings of Mr. Hogarth,—his Paul Preaching, and his Infant Moses,—which on a closer examination are not chargeable with the blemishes imputed to them. Justice obliges him to declare the high opinion he entertains of the abilities of this inimitable artist, who shines in so many different lights and on such very dissimilar subjects, and whose works have more of what the ancients called the ΗΘΟΣ in them than the compositions of any other modern. For the rest, the author begs leave to add, that he is so far from being ashamed of retracting his error, that he had rather appear a man of candour than the best critic that ever lived."
Hogarth did not understand Greek, and was for some time doubtful whether the ΗΘΟΣ was meant as complimentary or satirical.
If the original painting in Lincoln's-Inn Hall were destroyed, Hogarth's reputation would not be diminished.