LOUISE MONTAGUE.
The key to the whole affair can be found in the following advertisement, published in the Globe-Democrat of the preceding Sunday:—
Personal.—Two gentlemen of middle age and means desire to become acquainted with two vivacious, fun-loving young ladies who like to go to the theatre. Address George and Harry, this office.
MAUD BRANSCOMB.
George and Harry had received an answer to this advertisement from "Mamie and Sadie," and, just to meet and become acquainted with them, had purchased the four seats in row A, centre section, Grand Opera House, making the theatre their place of assignation. "Mamie and Sadie" were by no means the innocent and unsophisticated creatures they seemed to be. One of them was the wife of a travelling man who was necessarily away from home ten months in a year; the other was nymph du pave—a street-walker—who scoured the principal thoroughfares at night for victims to carry to her "furnished room," and who had been educated up to the "personal" racket by the lonely and wayward young wife of the commercial drummer.
So much for the noisy, otherwise obtrusive phases of the subject. The ladies who go to the theatre to display themselves, to flash their jewels and flaunt their silks and laces in the faces of the community, have become so accustomed to the general run of theatrical attractions that they are really no longer spectators, and may be justly classed among the distracting agencies in the audience. Their mission is a "mashing" one to a certain extent, but it is "mashing" of a vain and by no means harmful character. Other ladies are seen in the dress circle and the boxes who do not disguise the fact that they have come to the theatre to fascinate the too, too yielding men. At the matinees there are women of questionable repute who unblushingly advertise their calling and who must be set down as a feature most objectionable to the respectable portion of any community. They behave themselves as far as words or actions go, but their mere presence in the play-house is an annoyance that refined and elegant people cannot tolerate. That is all about them. Now for the very worst practices that are occasionally noted in theatres, and that the managers know very little if anything about,—the women who are there for nefarious purposes, and the men who have other ideas than gratifying their vanity or merely making heart-conquests. It is a notorious and flagrant fact that fast women use the theatre as places of assignation, wherein they meet old and make new acquaintances, and it is equally notorious that men whose whole energy seems bent to the distruction of innocent girlhood make it a rendezvous for the purpose of selecting and snaring their victims.
It is perfectly safe to assume that the cunning and sinful pair fleeced George and Harry before they got through with them.
The very same evening my attention was called by a young lady to a thinly-bearded, spectacled, sickly-looking middle-aged man who sat in the next seat to the lady, and who, she complained, had stepped on her foot several times and in other ways tried to attract her attention and get her into a conversation. I at once recognized the fellow as one of an unscrupulous set who pored over big ledgers in the Court-House, and gave the greater portion of their time to discussions concerning female friends of ill-repute, and to boasting of the ruin they had brought or were about to bring to some innocent young girl.
The same man was in the habit of buying single seats in the dress circle and visited the theatre frequently. He represents a class of venerable, but iniquitous fellows who make a practice of mixing in among the ladies, in the hope of scraping an occasional acquaintance, and who have no good intention in desiring to extend the circle of their female friends. They should be kept out of every respectable place of amusement.