Now, just as we can trace the sources of our power in the great currents of human feeling that flow down to us out of the past; so we can foresee the accomplishments of that power in enlarging the lives of men who come after us. We are sinking the foundations of a new politics. You cannot always see every stone, but it has gone to its place. It is impossible to take a stand for what you think is a true theory without thereby becoming an integral factor for good in every man who hears of it. It is impossible to be that factor without taking that stand.
What is the nature of the good you can do to the laboring man? His mind analyzes you in a flash. If he is influenced by you, you may be sure that it is by something in you that you had not intended to give him. After the man has seen you, he has been moved by you; but how? Consult your own remembrance. What incident of character impressed you most when you were a child? Do you remember any act, any expression or gesture or anecdote or speech, that had a lasting influence upon you? Now I ask you this: Was it done for you? Were you the designed beneficiary of it? Was it not rather the silent part of some one else’s conduct, a thing you were perhaps not meant to see at all? And this was no accident. This is the natural history of influence; it passes unconsciously from life to life.
We must take the world as we find it. We must deal with human nature according to the laws of human nature. Our politics are at present so artificial that the average man thinks that the name “politics” prevents the well established and familiar principles of human nature from being operative. But he is wrong. Man has never yet succeeded in inventing any system that could evade them or affect them in the least. All the political organization of reform is already in existence, and needs only strengthening and developing. It is all in use, and every one understands its use and knows its headquarters and its agencies. It is all individual character and courage, and with the growth of character and courage it will become more defined and visible every day.
IV
LITERATURE
There are feelings and views about life, there are conviction and insight, which come from thinking at a high rate of speed, and vanish when the machinery moves slowly and the blood ebbs. The world not only accepts the intensity of the writer, but demands it. Nevertheless, the world has an imperfect knowledge as to where this intensity comes from, how it is produced, or what relation it bears to ugliness and falsehood. “What a pleasure it must be to you,” said Rothschild to Heine, “to be able to turn off those little songs!”
In our ordinary moods we regard the conclusions of the poets as both true and untrue,—true to feeling, untrue to fact; true as intimations of the next world or of some lost world; untrue here, because detached from those portions of society that are perennially visible. Most men have a duplicate philosophy which enables them to love the arts and the wit of mankind, at the same time that they conveniently despise them. Life is ugly and necessary; art is beautiful and impossible. “The farther you go from the facts of life, the nearer you get to poetry. The practical problem is to keep them in separate spheres, and to enjoy both.” The hypothesis of a duplicity in the universe explains everything, and staves off all claims and questionings.
Such are the convictions of the average cultivated man. His back is broken, but he lives in the two halves comfortably enough. He has to be protected at his weak spot, of course, and that spot is the present; ten years from now, to-morrow, yesterday, the day of judgment, the State of Pennsylvania,—all these you are welcome to. Every form of idealism appeals to him, so long as it does not ask him to budge out of his armchair. “Aha,” he says, “I understand this. It takes its place in the realm of the Imagination.”
This man does not know, and has no means of knowing, that good books are only written by men whose backs are not broken, and whose vital energy circulates through their entire system in one sweep. They have a unitary and not a duplicate philosophy. The present is their strong point. The actualities of life are their passion. They lay a bold hand upon everything within their reach, for they see it with new sight.
The glitter of the past makes us think of literature as embodied in books; but to understand literature we must fix our minds on authors, not on books. The men who write—what makes them write well or ill? What are the conditions that breed poetry, or music, or architecture? The current beliefs about art and letters are fatalistic. It is supposed that poets and artists crop up now and then, and that nothing can stop them; they need no aid, they conquer circumstances. I do not believe it. We see no analogy to it in nature. Among the plants and the fishes we see nothing but a wholesale and incredible destruction of germs on all sides. It seems a miracle that any seed should fall upon good ground, and be sheltered till it come to the flower. Why should the percentage of germs that come to maturity be greater with genius than it is with the eggs of the sturgeon? The enemies of each are numerous. If it were not for the fecundity of nature, we should have none of either of them. And how is it that the great man always happens to be young at the very moment when some events are going forward that ripen his powers; so that he grows up with his time, and does something that is comprehensible to all time?
The answer is, that all eras are sown thick with the seeds of genius, which for the most part die, but in a favoring age mature to greatness. Must we resort to a theory of special creation to explain the great talents of the world? And even this would not explain our own welcome and our own comprehension of them when they come. If it were not for the undeveloped powers, the seeds of genius, in ourselves, Plato and Bach would be meaningless, and Christ would have died in vain.