"Can't you gentlemen imagine, for instance, what those two men could do with little old New York as it is to-day? What glorious results would come from turning Dickens loose on the underworld, and setting Thackeray's pen to work on the hupper sukkles of polite s'ciety! If there ever was a time when the reading public were ripe for another 'Oliver Twist' or another 'Vanity Fair', that time is now, and I can hardly sleep nights for thinking about it."
"I don't see it at all," said the Bibliomaniac. "'Oliver Twist' is quite perfect as it is."
"No doubt," retorted the Idiot, "but it isn't up-to-date, Mr. Bib. For example, think of a scene described by Dickens in which Fagin, now become a sort of man higher up, or at least one of his agents, takes little Oliver out into a Bowery back yard and makes a proficient gunman out of the kid, compelling him to practice in the flickering glare of an electric light at shooting tailor's dummies on a rapidly moving platform, with a .42-caliber six-shooter, until the lad becomes so expert that he can hit nineteen out of twenty as they pass, missing the twentieth only by a hair's breadth because it represents a man Fagin wants to scare and not kill.
"Or think of how Thackeray would take hold of this tango tangle and expose the cubic contents of that Cubist crowd, and handle the exquisite dullness of the smart set, not with the glib brilliance of the man on the outside, who novelizes what he reads in the papers, but with the sounder satire of the man who knows from personal observation what he is writing about! Great heavens—the idea makes my mouth water!"
"That might be worth while," confessed the Bibliomaniac. "But how are you going to get the facts over to Dickens and Thackeray?"
"I shall not need to," said the Idiot. "All they'll have to do will be to project themselves in spirit over here into the very midst of the scenes to be described. As spirits they will have the entrée into any old kind of society they wish to investigate, and in that respect they will have the advantage over us poor mortals who can't go anywhere without having to take our confounded old bodies along with us. Then after I had arranged matters with Dickens and Thackeray, I'd send my psychic representative after Alexander Dumas, and get him to write a sequel to 'The Three Musketeers', and 'Twenty Years After', which I should call 'Two Hundred and Ninety Years After, a Romance of 1916', in which D'Artagnan, Athos, Porthos, and Aramis should return to modern times and try their hands on trench work, introducing the aëroplane, the submarine, and all the other appurtenances of war, from the militant brick to the dynamite bomb. Why, a good, rip-staving old Dumas tale of adventure of to-day, with those old heroes of his mixed up with the Militant Suffragettes and the Crown Prince of Germany, would be what old Doctor Johnson would have called a cracker-jack, if he had had the slightest conception of the possibilities of the English language."
"Wouldn't interest me in the least," said the Bibliomaniac coldly, "If there is anything under the canopy that I despise it is so-called romance. Now, if you could get hold of some of the solider things, such, for instance, as Macaulay might write, or"—
"Ah!" said the Idiot, triumphantly, "it is there that my scheme would work out most beneficently. My special articles on historic events by personal participators would thrill the world.
"From Adam I would secure the first and only authentic account of the Fall, with possibly an expression of his opinion as to the validity of the Darwinian theory. From Noah, aided and abetted by Shem, Ham, and Japhet, would come a series of sea stories narrating in thrilling style the story of The Flood, or How We Landed the Zoo on Ararat. A line or two from Balaam's Ass on the subject of modern Socialism would fill the reading world with wonder. A series of papers specially prepared for a woman's magazine by Henry VIII. on 'Wild Wives I Have Wedded', edited, possibly, with copious footnotes by Brigham Young, would bring fortune to the pockets of the publishers.
"And then the poets—ah, Mr. Bib, what treasures of poesy would this plan of mine not bring within our reach! Dante could write a new 'Inferno' introducing a new torture in the form of Satan compelling a Member of Congress to explain the Tariff bill. Homer could sing the sufferings and triumphs of arctic exploration in a new epic entitled 'The Chilliad', or possibly expend his genius upon the story of the rise and fall of Bryan in immortal periods under the title of 'The Billiad'"—