Altogether, as I have already said, the story was full of import and sunshine, and, as may be seen from my brief and inadequate description, was possibly more fitted for children than for the adult mind.
III
Mr. Meredith's story came next, and it had all of that charm which goes with the average Meredithian production. To call it dictionaryesque is not too high praise to bestow upon it. What it was about I never really gathered, although I of course read it through several times before accepting it, and perused the proofs carefully some eight or nine times. There were allusions to Santa Claus in it, however, and I therefore let it pass, feeling that to the admirers of the master's genius its message would ring out clear and crisp like the glad chimes of the Christmas morn; and it was my desire to be the bearer of glad things to all people, whether I was myself in sympathy with their literary tastes or not. I recall one page in the story—the last of all, however, which struck me as a marvel. Fotherington, whom I guessed to be the hero, is standing on top of a shot-tower in London, about to commit suicide by jumping down, when all of a sudden Santa Claus appears beside him and inquires if the tower is a chimney or not. Fotherington gives a "throat-gasping laugh" and invites Santa Claus to join him in the jump and find out for himself. The author writes:
"At this, the spirit of the Hourgod, the multitudinous larvæ of his emotions, intensified by the nose-whirling impertinence of the other, gazed, eyes tear-surging, towards the reddish northern cheek of the piping East, human in its bulk, the wharf cranes rising superabundant from the umbrageous onflowing of the commerce-ridden stream, piercing the middle distance like a mine-hid vein of purest gold in the mellowing amber of approaching dawn, flying seaward, curdling in its mad pressure ever onward, soon to be lost in the vaguely infinite, beyond which, unconscious of the perils of the inspired home-coming, lies that of which homogeneous man may speculate, but never, by reason of his inflated limitations, approximate without expletion.
"'Beg pardon!' said he, with an interrogation in his inflection. 'I was not aware of the facts.' Fotherington was silent for a moment, and then, recognizing Santa Claus, a shame-surge encarnadined his cheek, and he answered, strenuously apologetic: 'This is the shot-tower. The sight of you restores me to life. I shall not again dwell upon self-destruction. Heaven bless the spirit of the hour.'
"He buried his face in the Saint's pack, and hot tears sprang forth from his vision.
"'Beg pardon again,' observed Santa Claus, drawing himself away. 'If you must weep, weep on my shoulder, not on my pack. The toys are not painted in fast colors.'
"And the two went down together."
IV
The contribution of Mr. Davis was a most excellent sketch of the inimitable Van Bibber, and told how on his way to a dance late one evening during Christmas week he encountered, snuggled in a doorway near the North River, a poor little street gamin nearly frozen to death. Van Bibber saves the child's life by removing his dress-coat and wrapping it up in it, the result being that he has to lead the cotillon at Mrs. Winchley's clad in a fur-lined overcoat. It was a tender and touching little literary gem, and was full of the fine sentiment and lofty moralizing for which this author has always been noted. Its humor may well be imagined. The little talk between Van Bibber and Travers in the dressing-room as to Van Bibber's dilemma when he realized how his impetuosity had led him into giving the boy his coat was a characteristic bit, and ran somewhat like this: